Study On The Decorative Art Of Architecture Color Painting In Naiman Area

Naiman area belongs to the Mongolian tribes outside.It inherits Chengde in the West and Liaodong Peninsula in the east,which makes the communication between the area and the Han nationality in the Central Plains more frequent than other areas in Mongolia.In addition,since the beginning of the Qing Dynasty,because of the widespread of Tibetan Buddhism in the region and the policy of the Qing government to "support the people by borrowing land" and "marriage between Manchu and Mongolia",a large number of Han people poured into the region,making the region a representative area of the integration of Mongolian,Han,Tibetan and Manchu cultures.At the same time,there are a lot of fixed buildings in the nomadic Naiman area.These buildings are influenced by the local special region and the blending of multi-ethnic cultures.They are most obvious in the aspect of color paintings.However,due to its remote location,it is difficult to classify and count architectural paintings,and its systematic protection and research are relatively lacking.Therefore,the article chooses two typical local official buildings-Naiman Palace and There Temple of Kulun for case analysis.The buildings are divided according to their functions,and the positions of the typical buildings in this area are analyzed,summarized and depicted.On the basis of these investigations and case studies,this paper makes a preliminary summary of the architectural color painting on wood structure from the four elements—overall composition,theme,pattern,color application and techniques of the local architectural color painting.Comparing with the traditional Chinese architectural paintings,this paper analyses the evolution of the four elements of the traditional architectural paintings decoration art in Naiman area,and concludes that the architectural paintings decoration art in Naiman area is restricted by the Chinese architecture,influenced by Tibetan Buddhism,and embodies the characteristics of Mongolian traditional culture.It also evaluates the national,political and aesthetic values of the traditional architectural paintings decoration art in Naiman area.The article enriches the rational conclusion and summary information of the decorative art of traditional architectural paintings in Naiman area,and hopes to provide help for the further study of the decorative art of traditional architectural paintings in Naiman area.At last,it puts forward that the inheritance and development of the decorative art of traditional architectural paintings in Naiman area should start from four aspects: the protection of therecord of color paintings,the protection of laws,the protection of projects and the protection of education.