Research On Buddism Status Exhibition Space Design By Cao Family

The article originated from a doctoral research area of visual culture and Buddhist.Research on the emerge horizons and dissolving bodies Buddhist Cave shrine as mirror hall which research on cave 61 which emerge from Cao Family during 10^th century.Cave 61 has been regarded as the excellent cave with the best skills in painting and molding and praised as the representation of the power of Cao Yuanzhong,thus won reputation of high quality in controlling.The term of centered-plan of cave-construction was used to replace square-plan because a great change has took place around Dun Huang.The research topic was research of Buddhism status exhibition-space design.The research achievements of the relationship between Buddhist culture and environment and the relationship among specific cave design were formulation for further exploration.The article,integrated traditional cave design,explored internal relationship between the space and its origin of the cultural environment.It analyzed the technical culture of making paintings,the connection between political culture of following the original political decision and intellectual culture of using paintings and the depicted the dynamic relationship between workers,painting sketches and cave owners.The research idea was to summarize features and methods of designing cave in 10^thh century.It is important to mention that cultural characteristics from 10^th century with the history of cave-space development as background can set off the uniqueness of cave design in10^th century.It utilized literature method,comparative research method and imagine analyzing research method.Therefore,there are four parts which supports the research idea.The first part contains the meaning of research,the overall structure of article and goals of research.This part has made preparation for the following part.It is significant to mention that summarize features of10^th century's culture has been the formal start in the research.Then,the method which is linked to designing the landscape and the internal-environment has been explored in the third part.Following this four parts,it is a great value to explain the modern meaning of the ancient cave design.