Study On The Aesthetic Thought Of Palace Architecture In Western Han Dynasty

The building has practical value,provides life and place for human beings,and has profound cultural values.The construction of the palace building is not only influenced by the designer's architectural thought culture,values,etc,but also influenced by the political,economic,geographical,climatic,social environment and other aspects of the specific period,and thus the style and form of the palace architectural works.All have the influence of social ideology,cultural traditions and aesthetic concepts at that time.This article takes the palace architecture in the Western Han Dynasty as the object of inquiry.From the perspective of aesthetics,through the combination of text reading and aesthetics and historical criticism,from the history of the palace architecture in the Western Han Dynasty,the "Heaven and Man" aesthetics of the Western Han Dynasty palace architecture,The magnificent beauty of the Western Han Dynasty palace architecture excavated the aesthetic thoughts of the Western Han Dynasty palace architecture.The first chapter introduces the previous studies on the works of palace buildings in the Western Han Dynasty,and discovers the research focus and innovation of this thesis.The second chapter first explains the "palace" and "gongmiao" related to the "palace",analyzes the origin of the "palace",and then the palace of the Western Han Dynasty after the establishment of the Dahan Dynasty and the capital of Chang'an in Liubang in 202 BC The basic outline of the building,such as Weiyang Palace,Changle Palace,Shanglin Garden,Jianzhang Palace,Wangjing Temple,etc,is a discussion.The third chapter analyzes the aesthetic thought of "Heaven and Man" in the palace architecture of the Western Han Dynasty.The Han Dynasty is an era of great philosophical unity.Its cosmology is based on the yin and yang five elements,integrating traditional Taoist philosophy,yin and yang philosophy,Yi Xue and Confucianism into a unified system of heaven and earth to achieve harmony with politics and realize heaven and man.The continuity between them reaches the unity of nature and man.The "Heaven and Man" thought in this period has a profound impact on the palace architecture.In many respects,the traces of the concept of harmony between heaven and human in the palace architecture of the Western Han Dynasty can be found.The Western Han Dynasty palace architecture will leave behind the immortal Furui,Fatianxiangdi,Yinyang concept,all of which are related to the idea of harmony between man and nature,and can reflect the harmonious unity between heaven and man.This paper analyzes the aesthetics of "Heaven and Man" in the Western Han Dynasty palace architecture from three aspects: one is to analyze the immortal and Furui thoughts of the palace architecture of the Western Han Dynasty from Han Fu and historical materials;the other is to analyze the celestial heavens in the palace architecture of the Western Han Dynasty The aesthetic thoughts;the third is to analyze the concept of yin and yang in the palace architecture of the Western Han Dynasty.The fourth chapter analyzes the magnificent beauty of the palace architecture in the Western Han Dynasty.Firstly,it explores the relationship between the capital of the Western Han Dynasty and the magnificent beauty.It is believed that in the Qin and Western Han dynasties,the construction of the capital city required to be prominent and symmetrical in the overall spatial layout,showing the magnificent capital of the capital.The beauty of the side.In particular,the Western Han Dynasty Chang'an City has made great progress in this respect.The layout pattern of the capital city is distinct and wellordered,and it exudes a strong political and ethical culture.Since the Western Han Dynasty,the magnificent features of the ancient Chinese capitals have been closely linked with the political powers and ethics,and have been progressively shaped.Further analysis and analysis of the magnificent beauty of the palace architecture of the Western Han Dynasty.Hancheng Qin system,the Western Han Dynasty palace architecture in the height,scale,layout,scope,function,decoration and other angles,have a greater expansion and development than the Qin Dynasty palace architecture,in Changle Palace,Weiyang Palace,Jianzhang Palace,Shanglin Court Such as the layout,structure,decoration,sculpture and other aspects of the building,as well as the ideas of Xiao He,Jia Yi,Shu Sun Tong and other ideas to discover the magnificent beauty contained in the palace architecture of the Western Han Dynasty.The last chapter is the conclusion,summarizing the aesthetic thoughts ofthe palace buildings in the Western Han Dynasty.