Study On The Formal Language Of Decorative Sculptures In Historical And Cultural Blocks

In the past 40 years of reform and opening up,China's material civilization has made tremendous progress,and the people's living standards have been significantly improved.At the same time,the people's pursuit of a high level of spiritual and civilized life has become increasingly urgent.In the past,urban construction did not pay much attention to the construction of spiritual civilization,which caused the homogenization of urban style to be more serious.In recent years,decorative sculptures have emerged in various cities.They have promoted the inheritance of urban culture and improved the aesthetics of residents in modern cities.However,decorative sculptures in historical and cultural blocks still have many problems such as the same theme and single material.This thesis starts with the problem that the decorative sculptures in the historical and cultural blocks of the city are not in harmony with the neighborhood environment,and with the formal language of decorative sculptures as the entry point of the problem,the problem is deeply analyzed.Summarize the factors and conditions that affect the integration of formal language and historical block environment,and apply it to the design and planning of decorative sculptures in historical and cultural blocks to explore and solve existing problems.Firstly,through the analysis of the basic theories of historical and cultural blocks and decorative sculptures,the paper summarizes the formation and performance of decorative sculpture formal language in urban historical and cultural blocks,and analyzes the decorative sculptures of historical and cultural blocks at home and abroad based on the collected data and field investigations.Secondly,based on the conclusions of the previous investigation and analysis,as well as the factors affecting the formal language of decorative sculpture,this paper explores the construction elements and construction prospects of formal language in the historical and cultural blocks of decorative sculptures.As a theoretical basis,the Design principles of decorative sculptures are summarized in historical and cultural blocks.Finally,taking the participation of the decorative sculpture design of the Nanbei Historic District in Jixian County of Henan Province as an example,the current situation and regional characteristics of the neighborhood are investigated and analyzed.From this,the traditional symbolic elements that can continue the history and culture of Pixian County are extracted and applied to the decorative sculpture design practice project in the historical district,thus summing up the practical solutions to provide a powerful support for the research of this thesis.