| The eighty-one diagrams of Lao Zi came from song and Yuan Dynasties.It is a series of images created by Taoist disciples based on Lao Tzu's nonsense in the Eastern Jin Dynasty.It depicts Lao Tzu's fairy tales of Hu people's journey to educate and educate Hu people in a bright and intuitive way.The first artificial Lao Tzu graph eighty-one to compete with Buddhism and Taoism development as the fundamental purpose,since the birth of spread rapidly throughout the north and South Temple,spread in various forms,from the engraving derived murals,carved line etc..Gansu Zhuanglang Zijingshan Laojunmiao Lao Tzu eighty-one murals as the only one of the eighty-one Lao Tzu figure seven has the historical value,the creation background,origin and development,explore the protection process is not trivial,from a reflection of the Taoist painting art history development venation.In addition,the mural as an important cultural relics of Taoism,its artistic techniques are robust and unique.It can be called the representative of Taoist painting art,and its content is rich,almost including the essence of Taoist culture.Zhuanglang Zijingshan Laojunmiao Lao Tzu eighty-one murals as the earliest extant works Lao Tzu eighty-one map,with the same region of eighty-one murals and Lao Tzu Kongtongshan Zijingshan Lao Tzu San Qingdian eighty-one murals together the formation of Taoist art architecture in Longdong area,is the Taoist art history of a thick and heavy in colours.This paper aims to analyze the production and inheritance process of Laozi's eighty-one mural paintings in Zhuanglang,and study its artistic style,characteristics and value significance,so as to form this special representative academic system of Taoist art relics. |
PDF Full Text Request