Research On The Space Of Meishan Cultural Park Based On Transparency

In 1964,the famous American architectural theorists Colin Rowe and Robert Slutzky proposed the Transparency theory,which has revolutionary significance in the development of western modernism.As an objective analytical method,Transparency theory has been fully confirmed and developed.The essence of Transparency is more of the interactive relationship between the thinking and vision of architecture and people,which is the nature of space.The characteristics of the architectural landscape space of the Meishan Cultural Park in China precisely include the ambiguous forms of ambiguity and multidimensional spatial perceptions,which are consistent with the analytical basis of Transparency.At the same time,the cultural images pursued by the Meishan Cultural Park in China are not in harmony with the traditional Chinese landscape paintings.Many classic painting theories of landscape painting also have an important influence on the planning and design of the Meishan Cultural Park,such as the layout theory of paintings on the Meishan Cultural Park.Landscape layout effects.The famous landscape painting theory in the Northern Song Dynasty,Lin Quan Gao Zhi,said that there are three mountains in the mountains”From the mountain and looking up at the mountains,it is far-reaching;from the mountain and after you glimpse the mountains,it is far-reaching;from the mountains near you,you can see the mountains far away.” The "three distances" corresponds to the "width,depth,and height" of space in Western architectural concepts.This is similar to the great inspiration of Western Cubist paintings for modernist architecture.This paper takes the typical practical case of regional cultural theme parks as a case study of Meishan Cultural Park in China and takes Transparency as its theoretical basis.By trying to peel off the “images”such as modeling and decoration,Meishan Cultural Park analyzes and studies the organization methods and laws of spatial organization,spatial expression,and morphological composition.First of all,comparing the common points of Chinese and Western paintings and their influence on architectural landscape space respectively,we established the connection between Meishan Cultural Park and “Transparency theory” to determine the feasibility of research;and then proceeded mainly from Gestalt psychology.Taking Colin Rowe's Transparency as the theoretical basis and combining the Transparency of the phenomena in Colin Rowe's Transparency work,the author summarizes the characteristics and essential connotations of the phenomenon's Transparency,and listsspecific operating techniques;Contrasting the Transparency of the architectural landscape space of Meishan Cultural Park and the Transparency of the western architectural space,we analyzed the Transparency of the phenomenon in the Meishan Cultural Park from the whole to the local and then to the sensory experience.Finally,we summarized the Meishan Cultural Park.The transparent design method forms a set of design guidelines with Transparency characteristics.The analysis of the spatial Transparency of the architectural landscape of Meishan Cultural Park not only helps to understand the essential connotation of the Transparency space from many angles,but also expands the scope of application of the theory.It can also be a regional cultural theme in the context of global integration.Park space design provides reference and reference,and provides theoretical support and practical motivation for the maintenance and development of regional architecture.