Research On The Design Of Lacquer Tableware Based On Chu Culture

With the impact of globalization,various exchanges have become more frequent and convenient for people's lives.At the same time,the entry of a large number of outstanding foreign cultures has impacted the status of traditional culture.Incorporating our own unique culture into products to form unique products of our country and nation.This plays an important role in the in-depth study of traditional Chinese culture and the development and application of new crafts and technologies,and it also enables broader development in product development and design.space.Chu culture occupies an important position in the field of traditional culture in our country.Its creation consciousness and aesthetic pursuit are the interweaving and concentrated expression of the three ideas of "Witch,Sao,and Tao".The Chu lacquerware,which is the most representative of Chu culture,is a peak in the history of Chinese lacquer art and is a rare gem for the study of traditional culture.As more and more people focus on the study of Chu lacquerware,they have conducted effective analysis of the application of its ornamentation in modern design,in order to seek the modern application of its cultural image.At present,there are countless cases of successful application of Chu cultural elements in various design fields,but they have not been widely used in the tableware industry.Chu lacquerware is a daily and sacrificial utensil of Chu people.Tableware can be said to occupy a very important position in Chu lacquerware.Through the application of Chu cultural elements in modern tableware,this excellent culture and creation can also be brought back to people's lives.life.The research on the design of Chu culture lacquerware tableware mainly includes the following processes:First: Starting from the concept of time and space of Chu,we have made a clear definition of Chu culture through literature review,online research,field investigation and other methods,and made a clear definition of Chu culture from various aspects such as cultural connotation,shape,ornamentation,color,and spirit.Explore the uniqueness of Chu lacquerware,and summarize the reference and guiding significance of Chu cultural elements in these aspects for modern tableware design.Second: Modern tableware also has its own set of mature design principles.Through the summary of the previous cultural elements of Chu culture and the real demands of users,combined with modern tableware design principles,the perceptual elements of traditional cultural elements and the rational design thinking of practical appliances are perfectly intertwined.It is hoped that the final design practice can not only better use and show the soul of Chu cultural elements,but also meet the requirements of modern markets and users.Finally,according to the results in the first point,set up a questionnaire to investigate user preferences and satisfaction,and establish a structural equation model(SEM).As a commodity,Chu lacquer tableware serves users rather than designers.Through scientific and rational research methods,the perceptual design elements inthe designer's mind are transformed into the actual needs of users and various aspects of satisfaction,so as to guide the final design practice to be more in line with the market.