Research On Lu Jin Ecological Design

In the context of economic globalization,folk traditional handicrafts are relatively fragile,and there is a tendency to homogenize under the influence of strong culture.The process of urbanization is accelerating,and traditional handicrafts scattered in the folk gradually lose their markets and fields.As a result,folk customs also change,and there is an ecological imbalance.At the same time,there is a phenomenon of protecting traditional culture and moving away from our lives.This article believes that ecological design is a bridge that connects tradition with contemporary and future.In recent years,driven by national policies and the development of the times,traditional folk crafts have received attention.This article attempts to theoretically analyze the possibility of design empowering traditional crafts.Selecting Lu Jin as the research object,Lu Jin is widespread in the farming society,and it is also the most vulnerable to impact in the industrialized and informatized social environment.It has both functional and aesthetic functions.How to balance the weakened constantly The use value,how to let Lu Jin return to the people’s life through ecological design,balance the use and aesthetics,handicraft and machine,feelings and economy,tradition and contemporary relationship is the thinking direction of this article.This article takes Lujin,an old coarse cloth weaving process in southwestern Shandong Province,as the research object,and considers the development direction of Lujin from the perspective of ecological design.Lujin ecological design research refers to ecological design in a broad sense,which is based on natural ecological design.The core is the ecological design of three levels including nature,humanities and industry.This article includes four chapters.First,at the level of natural ecological design,the materials and materials used by Lu Jin itself and the tools are adapted to local conditions and selected locally.The design plan is harmonious with the natural environment,and the maximum possible recycling is renewable.Substances are carried out in an orderly manner from production to recycling,resources are efficiently used,and people and nature are highly harmonious,and internal harmony and unity are achieved in craft materials,labor,natural production methods and lifestyles.Second,at the level of human ecological design,connecting natural ecological design and industrial ecological design is the core content of Lujin ecological design.Affected by Qilu culture,the long-term accumulation of folk customs in southwestern Shandong is reflected in the process of weaving in Lujin.The girl accepts the education of her mother through learning and weaving Lu Jin.Lu Jin’s cultural and ecological characteristics are mainly expressed in patterns and patterns,including the overall composition of the pattern,the high-profile and beautiful color matching,and the cultural connotation with a graphic meaning.Third,at the level of industrial ecological design,Lu Jin’s industrial form changes with the progress of the times.The direction of Lu Jin’s industrial ecological design is the integration of resources according to the situation.National policy support and non-legacy will attract attention,not The best way to maintain Lu Jin’s sustainable development is that Lu Jin cannot move towards pure sentimentalism.Under the new situation,Lu Jin needs to “make blood” to balance the relationship between his feelings and the market and to adapt to the sustainable development of the times.Finally,Lu Jin’s eco-design moves towards harmony between man and nature,conforms to Lu Jin’s ecological design laws,inherits and innovates Lu Jin’s context,and returns Lu Jin to the lives of the people.This article sorts out the inheritance and development of Lu Jin from the perspective of ecological design.Through a large amount of literature reading and thinking and field investigations,the connotation of Lu Jin’s ecological design is refined by analytical induction.The return of folk traditional handicrafts to people’s lives is not simply to move back to the original rural areas.Put the label of "intangible cultural heritage" and leave it to the market.The relationship between the tradition of folk handicrafts and the future needs to be established.Ecological design can balance nature,The relationship between people and the market,the topic selection of the thesis has certain guiding significance for the research of the inheritance of traditional folk handicrafts and the expansion of the connotation of ecological design.