Art Rarch Plant Tang Dynasty Gold And Silver Decorative Paterns

The continuous development and change of decorative patterns is an external material expression of national culture,an evolutionary form in which traditional visual language conveys the essence of Chinese culture,and is a witness to historical development and cultural heritage.It records people’s cultural life,national customs,historical heritage,and can even represent the development trajectory of an era.The Tang Dynasty was the most powerful dynasty of open compatibility in Chinese history.While facing a large number of foreign cultures,it was not only able to be compatible with external cultures,but also to maintain the unique charm of its own culture in its influence.The gold and silver wares of the Tang Dynasty are the most representative characteristic utensils of the Tang Dynasty.The decorative patterns on the gold and silver wares of the Tang Dynasty are the products of the coexistence and fusion of multiple cultural forms and styles.This article takes the Tang Dynasty gold and silver ware as the main research object,the plant decoration pattern in the gold and silver ware decoration pattern as the main research case,and re-examines and analyzes it with modern design thinking and visual aesthetic form.This article started with the origin and development of the gold and silver wares of the Tang Dynasty as a starting point,from which the formation factors and aesthetic characteristics of the decorative patterns of gold and silver wares were found.The historical background and growth environment of the modern ideological patterns were analyzed,and the plant decorative patterns in the gold and silver wares of the Tang Dynasty were analyzed The source form and expression methods are extended to the modern era according to the folk customs and thinking modes of the era,and explore the evolution of modern aesthetics.Analyze the reasons for the popularity and popularity of gold and silver wares from different aspects such as culture,politics,religion,society,etc.,and find out the rich and complicated cultural reasons for the overall decorative patterns in the Tang Dynasty,and then modernize the aesthetics of plant decorative patterns on gold and silver wares.Reservations and changes.This paper analyzes the overall characteristics of the decorative patterns of gold and silver plants in the Tang Dynasty from the aspects of its aesthetic characteristics,modeling characteristics,and structural characteristics,and analyzes the aesthetic characteristics and aesthetic styles of the decorative patterns of gold and silver plants in the Tang Dynasty.The Tang Dynasty gold and silver plant plant decorative patterns were combined with modern cultural creative products.The traditional plant decorative patterns on the utensils were redesigned,re-decorated,and re-replicated through modern visual language,using modern design thinking.Mining plant of traditional decorative patterns and design concepts,so that modern cultural and creative product design while the national characteristics of a modern aesthetic characteristics and aesthetic thought.While retaining the cultural connotation,we have created modern design with Chinese traditional cultural connotation,and explored new possibilities for national design in the modernization of globalization for the new era.