The Influence Of Ceramic Culture Aesthetics On Jewelry Concept

Ceramic symbolizes the symbol of Chinese traditional cultural theory,is the representative of Chinese traditional cultural artifacts,is a combination of human culture and natural phenomena of Chinese arts and crafts artifacts.From the aesthetic thought of ceramic,we can see that designers expand the definition of "jewelry" identity and concept in contemporary jewelry design.To explore the connotation symbols of cultural aesthetics and spiritual fields contained in Chinese traditional ceramics,for the most advanced products from appearance to quality created by the demand of economic interests in the jewelry phenomenon on the modern market,it reflects the pursuit of money and wealth status by unscrupulous means in human nature,which is contrary to the simple and natural ceramic materials,and the novelty created by using ceramic materials It becomes a malady in design.Ceramics are new materials that show the charm of social status.The use of ceramic materials directly leads to the misunderstanding of ceramic material culture,and the mechanical use of traditional culture and jewelry imperceptibly dispels the aesthetic value of ceramic culture contained in ceramic jewelry.In the brilliant period of ceramic production and development,Laozi's aesthetic view of Song Dynasty believed that human identity is in the world Between the relations of the world,between heaven and man,the same "Tao" is the ultimate unity.The idea of beauty is to transcend the shackles of social utility and return to nature.Under the guidance of this concept,the product technology and processing techniques of ceramic materials emphasize the harmonious beauty of the combination of human beauty and natural beauty.Mud material,as the earth and stone of nature and the kiln phenomenon of its unique firing process,is naturally formed,reflecting the simple natural beauty.Combined with the beauty of human spirit of handicraft and decoration,it embodies the artistic concept and ideological realm of the unity of heaven and man,and achieves the harmonious unity of heaven and humanity.In practice,guided by the cultural aesthetics contained in ceramics,this paper studies the importance of Chinese creators' expression of Chinese identity and humanistic care in "jewelry" in modern art jewelry design in the context of the development of Chinese and Western jewelry,and expands the expression tension of jewelry design language based on ceramics,starting from combing the historical origins Explore the aesthetic source of ceramics,and use scientific experimental methods to conduct on-the-spot investigation to find out the possibility of the spiritual connotation of Oriental Culture in the communication with western contemporary jewelry under the comparison between China and the West.According to the manufacturing process and material characteristics of ceramics,find out the new possibility of making jewelry.To expand the visual language of jewelry with Chinese symbolic cultural symbols,to think about the connection and expression between the wearable aesthetic products of jewelry body and the wearer,to elaborate the identity of jewelry,the aesthetic spiritual value of jewelry is also closely related to people,in the aesthetic of jewelry,to redesign the relationship between the cultural background with aesthetic source,this aesthetic The concept itself contains the philosophy of human life.It provides a perspective for the contemporary creation of ceramic jewelry.