Research On Liyongmei's Paper-Cut Art In Xin Jiang Production And Construction Corps

Chinese paper cutting has a long history,is widely distributed,has a huge mass base,and is an important pulse in Chinese civilization.In the development process of human civilization,paper cutting,the artistic flower of fingertip,decorates people's life and enriches people's spiritual world,which is an important part of Chinese traditional folk culture activities.Paper-cut has a long history,but due to the extremely difficult preservation of paper products,few paper-cut objects have been handed down.At present,the earliest paper-cut works found in our country are five group flower paper-cuts unearthed from the Ashtana tombs in Turpan region of Xinjiang.With the improvement of people's living standard and the development of social science and technology,folk paper-cut has been evolving and developing in China with its unique style and charm.Xinjiang's production and construction bears the responsibility of stationing troops for reclamation and guarding the border entrusted by the state,and implements the system of uniting the party,government,army and enterprise.Bingtuan paper-cut originates from the Central Plains,grows longer than Bingtuan,and blooms in the north and south of Tianshan Mountains.It is a unique portrayal of life in reclamation of wasteland by an army unit in Chinese paper cutting art.In response to the Party's call,the youth from the border areas gathered in the Corps from all over the country.On the basis of cultural collision,artistic blending and folk activities spread far and wide,they formed paper-cut works with Corps spirit,Corps culture and Corps stories,reflecting the characteristics of paper-cut in the Corps with multi-regions,multi-cultures and wide perspectives.Through sorting out the paper-cut unearthed in Xinjiang,this paper studies the relationship between the regional distribution,theme,modeling and image patterns of contemporary paper-cut artists in Xinjiang and people's life.In addition,the paper-cut of Shihezi Corps has been investigated on the spot for many times to explore the development process,creative groups and themes of the paper-cut.Taking Li Yongmei,founder and inheritor of the non-heritage project "reclamation of wasteland by an army unit Paper-cut" in Shihezi City,as the research object,the paper-cut has been interviewed on the spot and on the Internet for many times.The paper-cut techniques of Shihezi Corps have been studied by following artists,the technological process of paper-cut creation in Shihezi Corps has been sorted out in detail,the artistic characteristics and contemporary value of Li Yongmei's reclamation of wasteland by an army unit paper-cut have been analyzed,and the modeling pattern language and aesthetic This paper analyzes the promotion value and future trend of Li Yongmei's regiment paper cutting,and puts forward opinions andsuggestions on the development of regiment paper cutting and the inheritance and protection of regiment paper cutting.