Research On Aesthetic And Practical Problems Of Hanfu Rejuvenation Movement

In the context of globalization,with the improvement of comprehensive national strength,China is moving from cultural consciousness to cultural self-confidence,and traditional culture presents a multi-faceted renaissance.The Hanfu Renaissance Movement is one of the national cultural renaissance movements with Hanfu as the carrier since the 21st century.The slogan of The Hanfu Renaissance Movement is "Wearing Han national costumes,Building State of ceremonies",They hope to achieve the purpose of promoting the ritual culture and rebuilding the moral framework in the contemporary by reviving the traditional Han costumes.Since the beginning of the renaissance movement,it has been accompanied by controversy and questioning about whether the form of the clothing is suitable for the contemporary,the renaissance is retro or innovative,and nationalist issues behind the practice movement.This paper selects the Hanfu Renaissance Movement as the research object.The text studies the origin,development and bottleneck of the Hanfu Renaissance Movement,and discusses the aesthetic and practical issues of the Hanfu Renaissance Movement as an aesthetic phenomenon.First of all,this paper discusses the origin of the Hanfu revival movement:the concept and system of Hanfu,the reasons for Hanfu to become the carrier of national cultural rejuvenation and the reasons for the formation of Hanfu revival movement.Then,the three stages of the development of Hanfu revival movement were explored.The main characteristics are:the germination stage of the network virtual public space,the development stage of the multi-dimensional transformation of politics,economy and culture,and the stage of commercialization promotion in the context of consumer society.Finally,this paper criticizes the bottleneck of the current Hanfu revival movement:the disputes about the aesthetic ideology between the Hanfu revivalists,the change of dominance in sports practice,the differentiation of groups,and the chaos of production and consumption.The purpose is to reveal the contradiction between the aesthetic and practical core of the Hanfu revival movement:Whether the costume as the carrier can really drive the revival of the national traditional culture.In addition,this paper summarizes and explains the background of the Hanfu Renaissance movement involved in the introduction in the introduction chapter.In the conclusion part,it summarizes the viewpoint of this paper and proposes that in many contemporary cultural renaissances,the Hanfu revival is more like a piece of "Pathfinder stone".Exploring the questions about the theory and practice of the Hanfu revival movement can help us provide experience and suggestions for the revival of traditional culture.