Redesign Of Zhangzhou Kiln's Three-color Porcelain In Contemporary Ceramic Art

If you want to find one of the best representative of Chinese national civilization in the course of millennia,then certainly is ceramic.Chinese ancient ceramic civilization from beginning to end to promote the development of the Chinese nation.The combination of technology and art is the wisdom of this brilliant human crystallization of the charm.In the long history of communication between Chinese and Japanese culture,tea culture is one of the most wonderful chapter.In Japan,the long history of the evolution of the tea ceremony,they have collected a lot of works of art related to the tea ceremony.One kind of the ceramics produced in Fujian kiln,played a very important role in the Japanese tea ceremony,that is,Zhangzhou city Pinghe town Tiankeng village kiln of the three-color porcelain,Japan also called it"Jiaozhi porcelain".The three-color porcelain is the spices container of the Japanese tea ceremony in Edo period,and it is also the viewing object.Before the 90s scholars thought "Jiaozhi porcelain" was produced in Vietnam,until the early 90s of this century,Zhangzhou City Pinghe County Nansheng Town Tiankeng village ancient kiln found,only to confirm the "Jiaozhi porcelain" origin from Fujian Province Zhangzhou City.Zhangzhou kiln three-color porcelain has been played a very important role in the history of Chinese and foreign cultural exchange,nowadays,due to the lack of cultural data,complex porcelain craft and the limitation of the three-color porcelain's size and function,it has long been left Falling behind the trend of high-speed information and fast fashion.In fact,Zhangzhou kiln three-color porcelain obtained the title of "Zhangzhou City Intangible Cultural Heritage" in 2010,and in 2017,officially obtain the "Fujian Province Intangible Cultural Heritage".Author wants to preserve its essence,and give Zhangzhou kiln three-color porcelain a new look in the atmosphere of contemporary pottery.This paper is divided into five parts.The first chapter mainly introduces the background of the topic,the literature review at internal and abroad,the purpose of the study and the characteristics of innovation and other issues;the second chapter makes a general overview of Zhangzhou kiln three-color porcelain,and also discusses the similarities and differences between Zhangzhou kiln three-color porcelain and Tang Dynasty three-color porcelain and Jingdezhen kiln three-color porcelain;the third chapter discuss the collision and evolution of three-color porcelain and the contemporary pottery,the contemporary development of the tradition craft,and the integration of the contemporary pottery creative thinking into the development of the three-color porcelain;the fourth chapter is the description and display of design work "Sushuo" series;finally summarize the full paper.This topic will focus on breakthrough the "recovery" limitation of "Intangible Cultural Heritage Zhangzhou kiln three-color porcelain",and into a sublimation stage,but also hope to give other intangible cultural heritages a possibility of inheritance and innovation.