Study On The Dance Performance Of Li Culture

Years of vicissitudes,torrents,and Li Jia love,dance and wine.The Li nationality is a resident of Hainan Island.It is mainly concentrated in the central and southwestern parts of Hainan Island and is one of the oldest ethnic groups in China.In the long-term working life,the Li people have created a rich and varied material and spiritual civilization,and accumulated a profound original ecological and cultural heritage.As an important part of this original ecological culture,the Li culture and dance culture are very unique and inseparable.The Li wines and the beautiful dances of the Li nationality often appear in the important occasions of the Li people’s life,which constitutes a beautiful landscape in the daily life of the Li people.Both of them are rooted in two different manifestations of the Li culture.The Li culture and the dance culture are multiplied by each other and share common historical and spiritual roots.The author hopes to express the Li culture of the Li culture with the art form of dance,and reveal the deep connotation of the Li nationality culture through the collision between two different cultural forms.Through field investigation and literature reading,the author deeply understands and studies the liquor culture of the Li nationality.Taking Shanlan wine as the main line,we will focus on the cultural and life phenomena that can reflect the Li culture,including the winemaking process,drinking occasions,drinking methods,and emotional expressions related to wine,and discover representative action patterns and Spiritual mood.On this basis,through the creation of the dance poem "Liquor Mountain",the Li culture of the Li culture will be displayed in the art form of dance.With the dance of the mountain blue jade liquid,the Li culture of the Li nationality is reproducibleFinally,from the perspective of dance creation,the author analyzes and summarizes the creative experience of the dance poem "Liquor Mountain" in the aspects of conception and performance,and discusses the general law of the creation of dance works reflecting the cultural phenomenon of ethnic minorities.