The Study On The Conventionalization Of Folk Paper-cut In Northern Shannxi

Chinese paper-cutting is the most widespread form of folk art in our country's masses.It is a kind of cultural symbol created and sustained by the working people of all ethnic groups in China in thinking about "living" and "better living".It has no distinction between upper and lower levels in terms of dance,images,language,etc.in the expression of life,perception of life,and self-expression of emotions.It is an organic part of folk culture and it is the image carrier of folklore concepts,demonstrating the folk life of the “bottom” people.Northern Shaanxi folk paper-cut is an important part of Chinese paper-cutting.Its creative subject is affected by the living environment,social and historical factors,cultural customs,etc.Under the decision of aesthetic psychology,corresponding material carriers are used to construct symbolic patterns with corresponding styling features,expressing their emotional needs and philosophical thought.The conventionalization of folk paper-cut in Northern Shaanxi is a symbolic form with specific meanings,it can cause a consensus and accurately spreaded.That is a schematism with the continuous condensation,evolution,and abstraction by creation subjects,and is continuous selection and establishment of representatives by historical inheritance.And implication.The conventionalization of Northern Shaanxi folk paper-cut is the synthesis of signifiers and signifiers under the meaning of signification.Folk life is the soil that bred the folk paper-cutting roots in northern Shaanxi.The emotional needs are nourishing the nourishment of northern Shaanxi's folk paper-cut.The suffering memory is the faith that completes the folk paper-cut rebirth in northern Shaanxi.The article is divided into six chapters: The first chapter is the introduction,including the research background,the purpose and significance of the study,the content and methods of the study and the previous research review,etc.The second chapter analyzes the geographical and climatic environment in northern Shaanxi,social and historical factors,The influence of folk customs on the folk paper-cut in northern Shaanxi.The third chapter discusses the conventionalization communication of folk-customs in northern Shaanxi.The fourth chapterr discusses the conventionalization changes in the folk paper-cut in northern Shaanxi;The fifth chapter discusses the Northern Shaanxi,the conventionalization appearance of the folk paper-cut emotional foundation.The sixth chapter is the conclusion part.It summarizes and prospects the full text.With the passing away of the original creation of folk paper-cutting in northern Shaanxi,the "functionality" of folk paper-cut in Northern Shaanxi has gradually shifted.The new economy,new technologies,new folk customs,and new aesthetics all influence the transformation of folk-custom paper-cut's spiritual purposes functions into material and practical functions."Inheritance in innovation",the author always maintains thinking and worring.It is hoped that through the description of “conventionalization” in this article,we can deepen our understanding of the inherent vitality of folk paper-cutting in northern Shaanxi,and make my humble effort to the inheritance and development of folk paper-cut in Northern Shaanxi.Although not to,the heart is longing for it.