Zhang Yi Ancient Calligraphy Identification Method Research

Chinese ancient calligraphy and paintings authentication has existed since ancient times,like the Discussion on Book Records Yu He of the Southern Dynasties,Records of Lawbook and Famous Paintings of Past Dynasties of Zhang Yanyuan of Tang Dynasty,Ancient Calligraphy and Paintings Collection of Ou Yangxiu of the Northern Song Dynasty,and Book History of Mi Fu of the Northern Song Dynasty.All these books have records about ancient calligraphy and paintings authentication.Calligraphy authentication and paintings authentication are jointly called as calligraphy and paintings authentication.According to some literature,calligraphy authentication is earlier than paintings authentication,which may be cased by the precedence relationship of calligraphy and paintings development and the identification of artists.The necessary premise of the emerging of calligraphy and paintings authentication is the individual calligraphy and paintings flourish of a scholar-bureaucrat.Meanwhile,the emerging of calligraphy and paintings authentication is also accompanied by the collection and appreciation of calligraphy and paintings.The ancient calligraphy and paintings authentication knowledge is mainly based on calligraphy theory,paintings theory and record or serve to calligraphy and paintings collection or discrimination which lacks autonomy in theoretical knowledge.It is required to have detailed knowledge in ancient calligraphy and paintings authentication record literature,Chinese paintings history,Chinese calligraphy history and specific work entities,and possess good expertise in archaeology,epigraphy and literature and philosophy,and need good calligraphy and paintings composition quality to learn calligraphy and paintings authentication.And the mastering of calligraphy and paintings authentication knowledge only can be achieved by the combination of all disciplines.The calligraphy and paintings authentication knowledge in ancient record and literature are mainly in essays and experience which do not possess either comprehensive and scientific method or systematic system.In the early stage of 20 thcentury,with the prevalence of western historical materialism and dialectical materialism,Mr.Zhang Heng prompted the concept of calligraphy and paintings authentication,established the theoretical system of calligraphy and paintings authentication based on western scientific concept and research method,and concluded a scientific and comprehensive calligraphy and paintings authentication ideal through inheriting traditional authentication experience and referencing the disciplinary contents of westernstylistics,archaeology,philology and comparison theory.Such improvement endowed the knowledge system of calligraphy and paintings authentication with the consciousness of academy and discipline and made the theoretical knowledge and research method of calligraphy and paintings authentication be more reasonable,scientific and independent.Paper of writing content main is divided into four chapters,first chapter on Zhang Heng and ancient painting mirror hid background of discusses,this paper mainly Zhang Heng and republic of China painting mirror hid community,Zhang Heng and Wu Hufan of calligraphy and painting appraisal activities,painting intermediary businessman,and Zhang Heng of calligraphy art cultivation,second chapter is on Zhang Heng calligraphy identification case research and identification methodology of described,third chapter is on Zhang Heng ancient calligraphy identification method features of General,and the ancient calligraphy and painting of the construction of the comprehensive appraisal method and thinking,fourth chapter is Zhang Heng on ancient painting and calligraphy identification academic research of meaning.Mr.Zhang Heng has devoted his life to the collection and authentication of ancient Chinese calligraphy and paintings.With abundant experience in calligraphy and paintings authentication,he concluded a systematically and reasonably ancient calligraphy and paintings authentication method based on traditional calligraphy and paintings authentication knowledge,thus laying good foundation for the development of contemporary calligraphy and paintings authentication.His comprehensive and advanced calligraphy and paintings authentication ideal inspired the development of the scientific calligraphy and paintings authentication method of humanity,art and technology.Mr.Zhang Heng contributed the most to the modern times Chinese calligraphy and paintings authentication.Based on the academic background of Zhang Heng's calligraphy and paintings authentication,this thesis researches the cause,method and academic significance of Zhang Heng's ancient calligraphy and paintings authentication ideal.Therefore,it is necessary to make a special study.