The Analysis Of The Artistic Characteristics Of Pergolesi's "The Madonna" And The Comparison Of The Singing Versions

The " Stabat Mater" written by Pergolesi has experienced nearly three hundred years of inheritance history and has become one of the most popular songs of the mourning song,which is still used in today's religious rituals.From the Middle Ages to the 18th century to the "holy mourning song" composed of up to hundreds of composers,the number of up to hundreds of Pergolesi is its most influential a creator.Pergolesi created a large number of vocal music works,including "Our Lady of Mourning" to become his life the most successful one.This "Stabat Mater" is commissioned by the creation of the time,with this new work to replace people have been tired of the existing works.Pergolesi created this memorial new work,and ultimately completely replace the early by Alexandro Scarlatti twenty years ago to write religious ritual works.This work has been staged on the stage of contemporary concerts.This article selected three singers singing version of the sound,image shaping,character characterization,strength and speed design and other aspects of the comparison,they are vividly show the characters,to avoid the destruction of the image of the Virgin Mary as a whole,in the Strengthen the beauty of music and solemn atmosphere,the voice of the expression of more vivid,highlighting the classical and personality style features.All singer can be in the specific level of emotional,emotional ups and downs,contrast and change.Through the analysis of the details of the music ontology,this paper finds out the creation and existence of this work,not only makes it the best work,but also the"Stabat Mater" The culture of mourning has had an important influence on later generations.Pergolesi is precisely because of the influence of this work,known as the"18th century the most talented" composer.As a classic vocal works,"Our Lady of Mourning" not only has a unique artistic value,but also has a good teaching value,especially in the teaching process,these works also have the nature of the opera,can be used for purposeful training Students of different sound areas,sounds and so on.With the establishment of a large number of music institutions,this work is widely used,as many vocal educators choose one of the necessary teaching content.Artists and singers have to perform the required repertoire on the stage performance,keep the track hard training,so the work will gradually spread in the music school.In this paper,the use of different versions of comparative research,perspective three sang works in the strong appeal and profound spiritual connotation.The second chapter is mainly about the background knowledge of "Our Lady of Mourning",including the birth of the works,the composer,the composer,the composer,the composer,the composer,the composer,the composer,the composer The situation and the content of the works,etc.;the third chapter is for the music ontology for the melody,style,structure,harmony and the characteristics of the fabric and the performance of the analysis;Chapter 4 is the version of the concert comparison.Through the analysis of the three different types of singer singing version,to explore their different aspects of personalized processing.Through the data study found that for this "Our Lady of Mourning" version of the concert is not a lot of see,so this article carried out a relatively detailed study.In fact,this article focuses more on the interpretation of the characteristics of music ontology and singing,which is different from the interpretation of works and cultural scenes in traditional research.It is also one of the novel points in this paper...