The Misplaced Inheritance And Redemption Journey Of The Native Family

Family description of the twentieth century has been showing inherited status,simultaneously,for family or criticism or praise or alteration are closely related to the history of twentieth-century China,writing the family carry the reproduction of the centennial of the native China.At the beginning of the new literary period,Under the Enlightenment,the traditional family as a feudal fort was criticized severely,thirties and forties,the Family Narrative under the Invasion of Revolutionary Discourse;after the founding of the seventeen years,family Writing under the Guidance of Political Program;during the new period,reflection of literature,root literature in a large number of local text there is no lack of memorial for the traditional family;since the nineties the family narrative has entered the grand historical narrative category,the native family is reinterpreted as a valuable resource to resist the invasion of modernization.Chinese History in the 20th Century is volatile,since the New Period,Especially in the nineties or so local novels show a different face with the past,Novels also exhibit similar patterns of writing,as a typical text of the family history of the new period,Zhang Wei's "Ancient Ship" and Chen Zhongshi's "White Deer" has similarity in writing.Therefore,on this basis the author explores the historical commonality of the family writing under the grand historical narrative of the new period and the individual characteristics,and explores the homogeneity problems of the new native family and the causes of the emergence in the new family writing.The first chapter of the paper combs the historical evolution of the family motif,and discusses the paradigm of family writing as a whole.And the "ancient ship" and"white deer original" as the specific text,to explore its family structure,to show the new era of family writing to the aesthetic construction of the traditional family culture for the inner history of self-confidence,while exploring the author's history of self-Contradictions,in order to show the author of the family culture of confusion?The second chapter focuses on the complexity of the local family as a social grassroots organization in the transition period,that is,the struggle of the family rights in the inheritance,the discovery of the new revolutionary grassroots political power and the tribal struggle,The historical paradox:the fake revolutionist became the greatest beneficiary of the revolution and further explored the cause.The third chapter continues to show the family inheritance of the second chapter,and then find a reasonable successor to the family,Sui Baopu in the "ancient ship",Bai Jiaxuan in the "White Deer",to explore the reason which the image as the same family rescuer in the text show a different narrative model but can eventually be the same.And then explore the family's homing problem.