A Study Of The Narrative Discourse Transformation In Youth Movies (1947-1951)

This paper tries to analyze the transformation of narrative discourse before and after the founding of new China through the study of "Qingqing Film" magazine,mainly from 1947 to 1951,"Green Film" magazine."Qingqing Film" was founded in 1934,has experienced all the special historical period of China,until 1951 ceased publication.This paper chooses the "Qingqing Film" before and after the founding of new China as the main research object,and analyzes the narrative discourse of "Qingqing Film" from 1947 to 1951,with the help of Genette’s narrative discourse theory.Since 1949,(1949-1949)and the narrative discourse of the new China(1949-1951),as well as the way of transformation,the reasons for the transformation Background and meaning.The study of the "Qingqing Film" 1947-1951 narrative discourse transformation will help researchers understand the changes in the times and the ideological changes on the"Qingqing Film",to understand the establishment of the new China before and after the development of all sides experienced What kind of great change.It was also a microcosm of the film culture of China at that time,and it was also a study of the transformation of narrative discourse of "Qingqing Film".It was also in the study of Chinese films in different historical and political backgrounds.What kind of changes,the development of cultural ideology on the development of the film has any effect,the film in the new China before and after the establishment of its contents reflect the characteristics of different narrative discourse.TheThis paper analyzes the narrative discourse before the founding of New China and the founding of new China from the perspectives of narrative time,narrative distance,narrative angle and narrative structure.From these four aspects to study.By contrasting the narrative discourse before and after the founding of the new China,the specific transformation of the narrative discourse in the narrative discourse is obvious."Green film",it is a microcosm of many famous films in China,but also a representative film,it represents not only an era,it is different times in the narrative discourse is also an era of culture and history and other aspects of the epitome.Therefore,we can see that the impact of the specific history,politics,culture and so on on the transformation of the"Qingqing Film" discourse,in these contexts,how the early Chinese film industry is adaptable development.This paper is divided into four parts,the first part is the introduction,mainly on the"Qingqing Film" magazine overview,research background,research summary,research difficult to make a statement.The second part is the analysis of the narrative discourse of the "Qingqing Film" before the founding of new China,and analyzes the narrative discourse from 1947 to 1949 before the founding of new China:the narrative time of the fixed law,A degree of narrative distance,a diversified narrative perspective.The third part is the analysis of narrative discourse after the establishment of "Qingqing Film" in New China,mainly based on the analysis of narrative discourse after the establishment of the new China in 1949 and the publication of the time in 1951 as the time selection point.The concrete manifestation is:The narrative time,far from the narrative distance,deep narrative perspective.The fourth part mainly focuses on the transformation of narrative discourse before and after the founding of new China and the reason and effect of narrative discourse transformation.The conclusion part concludes the transformation of narrative discourse of "Qingqing Film".Through the study of narrative discourse before and after the founding of new China,it can be seen that the influence of historical,political and cultural development on the narrative discourse of "Qingqing Film" also embodies the influence of "Qingqing Film"as a cross Time film,its own adaptability and inclusiveness.