A Comparative Study Of Two Chinese Piano Sets

With the frequent exchanges between China and the European countries,the piano is an important Western musical instruments were introduced to China.The creation of Chinese piano music has gone from scratch,from less to more of the process.Among them,the creation of piano music in the piano music occupies an important position.China's piano music composer familiar with the Western composition techniques,began to explore the music style with Chinese characteristics.Their creative ideas,creative techniques constantly updated,created a large number of Chinese national style piano music.The two Chinese piano puzzles "Bashu" and "Inner Mongolian Folk Songs" were made by Huang Huwei and Sang Tong,two contemporary Chinese composers,all of which are the themes of the local folk songs.Is rooted in the traditional Chinese folk music,respectively,describes the Sichuan,Inner Mongolia,the cultural characteristics of the two places,as well as Tibetan,Mongolian ethnic minority characteristics.The two piano pieces are not only the excellent tracks in the concert,but also the learning content of the piano teaching.Therefore,in-depth study of the two piano suite,to grasp their own music style,to explore the music content which has important practical significance.It is hoped that the research of this paper can provide some reference for the teaching and playing of these two works.The thesis is divided into four chapters.The first chapter mainly introduces the creative background ofthe two piano suites and the biographies of the two authors.The second chapter summarizes the creation of the two works from the four aspects: the use of folk songs,the use of the national style,the use of the harmony of the Western harmony techniques,and the use of the music development techniques in the musical structure.The third chapter analyzes the different folk songs,different ethnic groups and different regional music customs as well as the music images contained in the two piano suites from different music images,different national customs and traditional music characteristics of different regions.The fourth chapter mainly studies the playing technique of two piano suites from four aspects: the expression of music emotion,touch key,rhythm,speed and intensity.