The Blend Of Han Folk Dance And Chinese Classical Dance

In the 5000 year splendid history on the earth,those amazing extraordinary as if done by the spirits of material achievements and amazing,but it embodies the spirit of the Chinese people's wisdom is more dazzling incredible.Han folk dance and Chinese classical dance as a product of history China traditional culture,with the Chinese people's aesthetic consciousness,culture,tradition and humanistic character,historical and cultural China witnessed rapid powerful development and progress.The basic spirit of China in classical dance and Chinese folk dancing outside of the body language,to reveal national aesthetic psychology and deep ideological characteristics,reflects the common thought of traditional culture has a long history of forging China under the national spirit and national character of psychology.China classical dance and folk dance of Han Chinese civilization in the same historical,geographical and cultural context in which the connotation of the same style and inherent common law,also laid the two artistic features in common.They permeate each other,each other,intersection,blending,embodying the broad and profound,profound connotation Chinese culture,and in both dance and art creation,development,refining in subtle form characteristics of common blend.This paper is mainly about the development of the Han folk dance and Chinese classical dance,aesthetic,techniques and so on.Put the two in the context of Chinese historical and cultural tradition and development,to carry out a comparative study.And through the basic action form of representative dance posture,dance,and the pace of the dance dance works as a starting point,to find between the aesthetic and technique characteristics,to deepen the analysis between the two overlapping common fusion.I hope this article shallow discussion for the study and development of the two disciplines to add a copy of the power of Jin,to provide more perspective and theoretical basis.This thesis is divided into four parts:The introduction part:the author expounds the reason and significance of this topic,the selected research direction,and now the reference of research status and research achievements of dance,to find the research methods of this paper,establish the innovation of the thesis was on the sort of macro Chinese from classical dance and folk dance of Han Chinese historical background,culture the causes of development,multi angle understanding China Han folk dance and China classical dance.The first chapter:the development of Chinese folk dance and Chinese classical dance.The second chapter:analysis of China classical dance and Chinese Han folk dance and music and dance,Yin Yang and the five elements of aesthetic ideas,Confucian view,music theory and Confucianism,Taoism natural view on music and dance and the hybridity of yin and Yang,Wei and Jin Dynasties "yuemingjiao and natural" view on music and dance,the Sui and Tang Dynasties Confucianism,Buddhism and Taoism the music concept,neo-Confucianism traditional aesthetics in ancient times,is a regular operation according to the development of sui generis dance philosophy,they have a relatively complete and unified,and the development path of multiple aesthetic blend.The third chapter:analysis of the blend between Chinese classical dance and Chinese Han folk dance movement technique,is divided into four sections,each section has its own elaboration,respectively in the two kinds of action techniques in breathing,posture,skills and repertoire works as a starting point,exploring the similarities between the two and the Association and how do they influence each other and learn from each other and blend with each other.The fourth chapter:the dance works "the Yellow River" as a case analysis of the Han Chinese folk dance and Chinese classical dance aesthetic,techniques common blend.Conclusion:a summary of the content of the full text.