Discussion Of The Concepts Of Chinese Classical Dance From Different Aspects

As the art form of contemporary culture construction, Chinese classical dance not only owns the historical model significance, but also owns the value consciousness of the times. After more than 60 years of development of New China, the development of Chinese classical dance has formed "schools of art" of different styles, and these different styles means that Chinese classical dance has cultural expressions and artistic evolution in different periods, a series of features and contemporary values merge together, becoming multi-dimensional construction ways and aesthetic perspectives of Chinese classical dance.In the process of construction and development of Chinese classical dance, Chinese classical dance has made enormous contribution on talent cultivation over the years, training a large number of professional talents for our country, however, the overall aspects of culture construction still needs improving. Chinese classical dance appears to be weak on sedimentary deposits of culture and philosophy, lacking the support of traditional culture. Chinese culture has a long history, history-dividing, culture succession, the classical dances of different dynasties are not identical, which way should be adopted to enrich the system of Chinese classical dance, how to search for the lost Chinese classical dance is the research contents of based on the cultural dimension and features. In order to improve the integrality of cultural construction of classical dance, we should start from the underlying concepts, focusing on the cultural properties of Chinese classical dance, constructing the technical specification and theory system of ourselves. Only if classical dance is located to the aspect of cultural construction, classical dance can be full of Chinese characters, and Chinese classical dance has historical value and social significance.Based on the thinking for the circumstances of contemporary development of Chinese classical dance, choosing the concepts of Chinese classical dance as entry point, this thesis separately discusses the concepts of Chinese classical dance from different aspects and leave it in dynamic situation, beginning from the four directions of "ancient", "classical", "dance" and "Chinese", discussing the ancient time, classic culture, dance circumstances and Chinese construction in detail, by means of the interpretation of cultural connotation of each concept, further discussing the cultural significance that should exist for Chinese classical dance at the present times. At the same time, the thesis starts from specific art form and takes the cultural construction of "Li Tang" classical dance and "Han Tang" classical dance as examples, comparing and analyzing the constructive principles, artistic styles, cultural orientation of the two, discussing the advantages and disadvantages of form construction and cultural construction, then, surveying the aesthetic characteristics and cultural characteristics in the morphological constructing process of Chinese classical dance school from the aspect of cultural construction, and putting forward the innovative ideas of incorporating the construction of classical dance into the present social culture construction. In the research, this thesis holds the idea that only if we study the classical dance under the circumstance of Chinese traditional culture, we can discern the peculiar aesthetic psychology, aesthetic taste, and aesthetical features that art form own, then understand the peculiar expression law, motion law and beauty standard, making Chinese classical dance meet the requirement of Chinese traditional aesthetic standard, and make dance cultural construction as a part of social cultural construction, paying close attention to the requirement of social cultural construction while studying the history, thus lead the achievement of talent training, works creation, and stage performance of Chinese classical dance, making art building and social culture construction form the well-behaved development approach and mechanism, providing theoretical support for the current inheritance and development of Chinese traditional dance.