| Ekphrasis(this paper use scholar Fan Jingzhong’s translation)is a Rhetoric Language which originate from ancient Greek.From it was bron as rhetoric to developed a special literary genre gradually to become a hot term in academic research,this process could be summarized as “naissance——develop——dreariness——evolve”.However,research in this paper benefit from constantly evolve of ekphrasis in the time river——the new academic concept provide new visual angle for academic research.The concept of “musical ekphrasis”is one of the evolution result from western academic research.It’s founder musicology Braun think music works which can reappear other categories of works of art is musical ekphrasis.But music ekphrasis in this paper point at the text which could reappear music works.It is deffer from Braun’s concept.Predecessors mostly used ekphrasis to research modeling works of Art like painting and sculpture.But trace back to ancient Greek initial stage application can see,it wasn’t has special use object.All of the words which could reappeared objects vividly were ekphrasis.Contrast the ekphrasis classic texts and the texts research in this paper can see,although the description of the object is different,but the rhetorical devices and the lifelike reproduction effect alike.Therefore,this paper can use ekphrasis to research texts which describe music.After confirm research’s seasibility,at first,this paper through classification analysis musical ekphrasis texts to understand the basic content of chinese musical ekphrasis.Subsequently,from the angle of analysis musical ekphrasis to discuss ancient Chinese’s aesthetic experience about music.Through the whole precess of enjoying music by author describe,to know what he saw,what he listened,what he felt,and what he thought.So then provide a new visual angle for the research of chinese ancient music aesthetics. |
