Study On The Image Decoration Of The Brick Tomb Murals Of The Jin Dynasty In The Shaanxi-Gansu-Ningxia Area

In this paper,the brick tomb murals in Shaanxi Gansu Ningxia region as the main research content,the relationship between the artist and the unknown to the public of the Jin Dynasty Tombs decoration art and ancient paintings,the painter of history records,brick mural image and Song Jin's family life,and on the three angles with the Shaanxi Gansu Ningxia unique geographical position to analyze the same and the difference of tomb art area,reveals the connection and interaction of Jin Dynasty tomb art and social life.By use of the methods of archaeological typology of partition of burial regulation,architectural form,architectural painting,carving painting,decorative murals,and summarizes the types and characteristics of Shaanxi Gansu Ningxia Jin tomb brick carving mural,from architectural painting and wall decoration of identity and difference of two aspects focuses on this area with other brick the tomb murals unearthed in the area.The oasis Yuan Zhuang Cun tomb M4,"an objective analysis of woman open the door" and "false door"figure,the tomb decoration content of family life together,this tomb context representation of life of women in the actual space under the door etiquette.This article from the "build model.A comprehensive analysis method for the analysis of color painting and decoration" mubi content,that the organic relation between architectural painting style and tomb murals,and then analyze the differences in architectural painting,brick carving mural content of the Shaanxi Gansu Ningxia region and other regions and behind the bricked mural tomb,the difference the social and cultural origins.