Poetic Concern In The Wilderness--On Li Juan's Prose Creation

Li Juan was born in 1979 in Xinjiang Kuitun Construction Corps,still in its infancy,the grandmother brought to the hometown of Sichuan brought back to Xinjiang,completed nine years of compulsory education,to the second Fuyun County high school,but dropped out.Li Juan used to run a tailor's shop and a small shop in the mountains of Aletai with her mother.Since 1998 Li Juan the first submission date,she has published the "Aletai corner","my Aletai","sheep" series and other works,has won the 2010 ninth Shanghai literary award;2011 Annual People's Literature Award;in 2012 second Zhu Ziqing prose award.At present,Li Juan's prose is still mainly prose,and sometimes I see one or two poems,whose prose is vivid and moving because of the integration of life elements.Li Juan is obsessed with the writing of daily life and spoken language,making his writing different from myth,hero,national totem and other grand narrative,creating a sense of intimacy in the process of reading.She uses the text to construct the original ecology of the Aletai world,bringing readers a happy and happy reading experience.In the works of Li Juan,the attitude and life choices of women in the cultural collision are worthy of our attention.She has some practical significance for the inspection and reflection of tradition and modernization.Li Juan's Aletai prose series created many female images,which is composed of "grandma","mother" and "I" is composed of the whole female family by Chinese cultural area to the traditional nomadic culture area,as in the diaspora of Han immigrants in Aletai,in physical and mental dilemmas.From the point of view of physiology and psychology,they are elderly women,single mothers,single parent families grew up girls,these are used to modify their attributes in some aspects of shaping their personality,also affect their living conditions."Grandmother" is advanced in age as the diaspora,she was isolated in the Kazakh culture,and the gap between cause and family become insurmountable,lonely individuals on the wilderness.She supported her life in Aletai with her traditional,feminine,meek character and deep love for her children.A middle-aged "mother" is active against the diaspora,she takes a positive attitude towards life and persistent pursuit of happiness on the suffering of life,and to love and rely on the interpretation of a broad but somewhat paranoid love.Young "me" is the soul rebel of diaspora,bear the pain of broken homes,and strive to identity identity,looking for spiritual home.On thecultural perspective,the three generation of women from the besieged memories of the past,to persist in the real happiness,to seek the spiritual home,from passive to initiative,from matter to spirit,from the concrete to the abstract,the female self cognition sublimation.Corresponding to the three Han immigrants,Kazak women who are active in Li Juan's prose,when the products of modern civilization,such as television,telephone and automobile,break into life,their life is changing quietly.Facing the oncoming train of modern civilization,Kazakh women are faced with the choice of whether to get on the train or not.On behalf of Zach,his mother and sister-in-law,he sticks to the traditional belief of the "Mother Earth" of the older generation,and tries to show the virtues of selflessness,grandeur and kindness.They are sentimentally attached to grassland and nomadic life.Living in the habit of inertia,they will never question the existing social order and way of life,allowing life to pass in daily labor.With Ana M Khan,Joripan,Cathy,he represented a new generation of desire change,some of them for various reasons forced by still temporarily stationed in the nomadic life in the future,confused,and others to put into practice,the first to enter the city,they face the transformation of the modern civilization.These into the city and Kazakh women exhibit two states,a part of the appearance change,it still retains the traditional virtues and customs,and the other part is the distinctive feature of Kazak appearance,but the heart is modern people.The present situation of Kazakh women after the city life and the spiritual world of Li Juan works are still few,only simply expressed worries.The shock of Li Juan's "I" as the Aletai original ecological nature,traditional nomadic culture values clash with her cognitive system,at the same time she witnessed the modern civilization in a short period of rapid changing Aletai's natural landscape and Kazak life,all this forced her to look carefully and think about the game and the traditional the modernization of the.Although Li Juan's writing has been around the daily life of the third of an acre,but gradually out of the "ego" barriers,showing a wider vision and more in-depth thinking.Li Juan can break the modern anthropocentrism,to equal attitude,everything without hierarchy view of nature,But when the survival of the lower level meets the ecological protection,she shows confusion,and whether the survival and ecology can be balanced Of course,this is also a dilemma for the whole society.She criticized the construction of urbanization for the destruction of the environment and ecology,criticized the rapid pace ofmodern civilization,criticized the irrational,irrational demands and waste,showing the speed of concern,But the "I" in her writing also yearned for the city,and the Kazak herdsmen in the text are also hard to refuse the modern civilization which is convenient and novel.As a city and grassland two kind of experience of life of young women,Li Juan's understanding of modern civilization and nomadic city life,she can enjoy the fruits of modern civilization and herdsmen happy,but also sad and lost the nomadic way of life and attached to its traditional culture.Of course,Li Juan's writing did not stop on reflection and criticism,but ran towards construction.As a female writer on the edge,there are many stories about suffering and social criticism in Li Juan's texts,but there is a warmth from the depths of human nature between them.She is wandering in the wilderness of the observer,and the depth of focus on the environment around the open space of imagination and the real world,and express their writing gives rational nature disenchantment to the original charm and beauty of poetry.It works in the shape of the "grandma","mother","I" three generations of women who were not retained a large number of accepted social rules have tamed nature,they really love the child to build the port of life.While the Kazakh people have the spirit of catharsis and the daily life of ritual,let us re-examine the dignity of individual life in hard life.Li Juan's three generation Chinese women show a female life toughness under harsh conditions,and in the cultural collision sparks gradually realize and the fate of relative calm,build a lush spiritual home in the poor life,provides a successful model for the spiritual predicament of female break edge.