The Intertextuality Of Graphic And Intertextuality In The Compilation Of Chinese Literary Studies

As a kind of effective research method,graphic intertextuality has been increasingly emphasized.Although the research on intersexual are emerging,there are still many defects in this aspect: On the one hand,the true values of image historical materials have been undervalued.Some publishers and researchers had neither useful experience nor previous knowledge of studies about illustrations and texts,so they often gather and use the materials optionally and use the materials on the current published works instead of independent discovery and independent gathering.Furthermore,some researchers have no previous knowledge or grand academic vision and social dimensionality,so they aren’t able to distinguish between genuine and fake.The lack of high aesthetic perspective expertise,the researchers failed to find innovative intrinsic relationship between images and text leading to a dislocation of significance;In addition,specialized taste has usually been overemphasized that rich cultural connotations and literary phenomenon have been camouflaged.On the other hand,overused of some image historical materials lead to the text hegemony.Furthermore,the organization of image and word is short of logic,and some researchers are short of the conciousness of copyright.These problems are no accident,but reflect the dilemma and deficiencies of compilation of Chinese literary books in intersexual research in the Age of Picture-reading.