Contemporary New Ink Painters Are Involved In The Study Of The Phenomenon Of Ceramic Painting

Chinese ceramic painting in the Chinese history is known as a component of Chinese ceramic decoration for a long time. It happens in recent years that the concept of ceramic painting is proposed and that is regarded as an independent class of art from ceramic decoration, which is under the significant influence of the traditional ceramic painting produced in Jingdezhen even all over the world. The painter’s ceramic painting, from past scholar painter’s porcelain painting to new scholar painter’s porcelain painting and to contemporary new ink painter’s ceramic painting, and the growing development of group behavior, draws much attention of people. Based on the present, this paper is titled with "the research of the phenomenon in contemporary ink painter’s porcelain painting", combing the history development of the painter’s ceramic painting, putting emphasis on the impact of ink painter’s of the time painting ideas combined with ceramic painting, that means painters pay close attention to aspects of society; and expressing his feeling by "new image narration and new viewing pattern and comprehension ways. It is a new topic to study the new ink painter’s porcelain painting. This phenomenon features the large number of young painters, wide exploration, art style and more flexible skills of painting, further influence etc. is different from the past painters of ceramic painting. So far, the contemporary new ink painters who have the certain influence and achievement in painting are the backbone of Chinese painting. Moreover, the groups are mostly young and middle-aged who are brave to try and explore and good at innovation in painting. The road of future art is long; paying attention to their growing in art is also concerned about the future direction of Chinese painting and ceramic painting. Now they undertake painter’s porcelain painting and change to the field of ceramic painting, which breaks the past ceramic painting’s natural mode of the style of scholar’s painting and new scholar’s painting. Of course, we should approve what they have brought good result from the practice of ceramic painting. Meanwhile, we should be more objective to analyze the bad influence. Only in this way should we study in depth and comprehensively and have a correct understanding about the ceramic painting’s value and significance of the contemporary new ink painters. From 2010 to 2013, the author worked at Yangmotang porcelain painting studio in Nanjing and contacted with many painters during graduate study in Jingdezhen and gained the works, paintings, images etc of the first-hand data, and analyzed in different direction by combing with working practice experience, talking to the painter, theory of painting. In the end, this paper discusses the advent of the ways of expression of new ink painters’ ceramic painting, and tries to tell people who have traditional experience new modern painting. For the workers of ceramic painting, they should break away from their previous patterns and embrace new knowledge, new painting patterns with their opening arms to read, think and reflect.