Wang Meng And Yi

The main contents of this paper are: Wang Meng born, loves pain The main contents of this paper are: Wang Meng born, loves painting, affected by the grandfather. Middle-aged not resign, lived in the Huang Shan, Zhu Zhang blind shoes,walking through the mountains, easy to read day management, concentrated paint.Then by the Friends of advice, as Tarzan know the state, and finally killed unjustly in prison, at every stage of life, every choice and I Ching in the contact.Wang Meng landscape painting again in the mood or the many problems with the techniques of traditional Chinese philosophy Book of Changes in thinking there is an intrinsic and external links. Wang Meng so by later attention, mainly that his study of landscape works. From the Ming Shen Zhou Qing Kuncan, Shi Tao, until the modern Huang, WU Fan, Yanshao other artists have to learn how many of Wang Meng Li painting techniques, Wang Meng tile for sentiment, scattered among many paintings Postscript. The perception of painting Postscript clearly more emphasis on the perception of painting hair cut, but also because of its sporadic and unsystematic spread. For the study in addition to techniques in other areas outside Wang Meng, is relatively small. Research on this topic to Wang Meng’s life and his poetry and works of the dialectical relationship between pods reached with the final goal, by reading a lot and Wang Meng, the Book of Changes related to historical books, poetry and analysis to understand the various stages of Wang Meng’s "literati" performance.Wang Meng acted either content or paintings, until the idea of painting the image and shape, showing a very significant participation Taoism culture aesthetic features,exhibited no circumvent traditional painter life values, which reflects the specific social Motosue history and culture to form a historical context for the development of painting the late feudal society, for the depth of understanding of the art of painting implication ethnic connotation has very important academic value.Traditional Chinese painting is the perfect combination of classical philosophy and, in Wang Meng’s landscape paintings can clearly see the humanity, nature, and to nature-related things, how to take advantage of these things that make us re-learn techniques in class The heavier. Today, much is skill-based painter, ignoring the outside of techniques for poetry insights, some limitations, we want to start our own,the ancient philosophy into paintings in the past, thus bringing into the history of Chinese landscape painting peak.