Research On The New Hong Kong New Wave Film

Hong Kong,which is known as "Oriental Hollywood",used to be a film output base that was second only to the United States in the last century.As a pioneer of Chinese-language films,Hong Kong films entered the low point of its development process at the end of the last century after going through the flourishing age “all too extravagant and too gratuitously wild”.Since the beginning of the new century,there have been glimmers of hope and breakthroughs of tight encirclements on Hong Kong films as a new batch of new films have been gradually popular.This batch of new works has become a trend.It has been called "New New Wave” by the academic community,which is relative to the "New Wave of Hong Kong" in the last century.The "New Wave of Hong Kong" in the last century is also relative to the "New Wave of France".Hong Kong's “New New Wave” films mainly has the following innovation aspects:First,Hong Kong depicted in the is no longer an extremely prosperous international metropolis but a return to nature,letting Hong Kong films that somewhat “rose and hanged in the air” before to return to the ground so that they can truly base themselves on local reality.Second,the recognition of cultural identity performed in the “New New Wave” films can be taken as Hong Kong people's recognition to the new unique cultural identity for themselves and the country brought by changes in Hong Kong's political system in the new historical period.Third,the “New New Wave” films have also made major breakthroughs in the types of movies and audiovisual languages.This paper analyzes the origin,scope,characteristics and significance of the “New New Wave” films by placing it in the time-and space-combined coordinate system of the history of films and globalization and attempts to complete its positioning through own efforts in order to see a beautiful blueprint for later development of this Hong Kong films innovation.