| The development of Chinese landscape painting,color in the landscape painting has experienced the maturity and decline,the relationship between ink and color formed the unique style and features,regularity of landscape painting has always been a let a person thinking about the problem of more than,Whether the Chinese ink language and the Chinese paint can skillfully merge with each other to form an extremely rich color ink relationship,is not easy.Through the analysis of the development and evolution of green color in the landscape painting,the resplendent and magnificent characteristics of Eastern Jin to the Tang and Song Dynasties,Yuan and Ming Dynasty period inky black boring,the characteristics of the late Ming and the characteristics of archaize copy mid Qing period,the characteristics of modern borrow ancient open today.In-depth study of Wang Ximeng "A Panorama of Rivers and Mountains "volumes and analyze and summarize the colorful art of zhang Daqian.From own copy,painting works and creation of "CaiYun "landscape series to study the relationship between ink and color in the Chinese landscape painting.In succession,on the basis of traditional color system,combined with modern aesthetic idea,seize the time color advocate tone,the use of bold colors.Let color photograph reflect with two sides of subjective exaggerated color,fill color with personality,disguised to make ink and color more unified. |