Study Of Shuanglin Temple Sculptures Character Costumes

Colorful art for thousands of years in the history of the interpretation of Chinese sculpture art modeling,played a pivotal role,which carries the ancient civilization and artistic characteristics,reflects the current political,economic,religious and cultural scene appearance,has important historical,artistic and cultural value.Therefore,the colorful sculpture in dress has become an indispensable part of the embodiment of colorful art features.Chinese clothing occupies a pivotal position in Chinese culture.It clearly and profoundly reflects the rich and rich regional culture characteristics and characteristics of the times in China.Mr.Tianzhongdan will Shuanglin Temple sculptures known as "World Heritage",Mr Barclay Jones will be known as "the one and only true Shuanglin Temple Treasures",is well deserved.Shanxi Pingyao Shuanglin Temple sculptures is representative of the Ming Dynasty Fine statues,temple buildings intact,the statues of Buddha and Bodhisattva brings together the king,Jin Gang,Rohan,Dharma gods,and support the 2052 statue.The colorful clothing has a very high artistic value of clothing,as an important carrier,it uses the content of fine design,gorgeous color,a variety of styles and accessories,rich in another form of representation of the Ming Dynasty political and social life and aesthetic connotation.Through the research of clothing colorful art form,and analyzes its artistic value and aesthetic connotation from the visual angle of language,not only conducive to our learning and understanding of Shuanglin Temple sculptures clothing art characteristics,it is helpful for us to know the local artistic characteristics of Shanxi in Ming dynasty.At the same time,the research of Shuanglin Temple sculptures in the Ming Dynasty clothing is favorable to the inquiry of dress aesthetics and Design Sociology and provides evidence.In this paper,the content of the five chapter,the interpretation of the clothing art features of Shanxi Shuanglin Temple sculptures.The first chapter,mainly from the purpose and significance of the topic of the research at home and abroad,made clear his own research,and the research content based on the basic method and framework;the second chapter,according to the collected first-hand information of Shuanglin temple,remains of double Lin Si painted figures.On this basis toinfer and understand the research status of Shuanglin Temple sculptures;the third chapter analyzes the Ming Dynasty costumes and cultural background,starting from the two political and economic and cultural background,artistic features of clothing for further study of Shuanglin Temple color plastic figures clothing development social influence;the fourth chapter separately from the portrait,"comic" support the structure of hanging plastic,Buddha and Bodhisattva,goddess Temple sculptures of these aspects,the characters and costumes characteristics analysis;fifth chapter,according to the former The analysis and arrangement of chapters,dig out the research significance of the Ming Dynasty Shuanglin Temple dress aesthetics and other disciplines of the arts.