Servant Image In Eileen Chang's Novels

Eileen Chang,whose real name is Zhang Ying,a famous female writer in the1940 s Chinese,representative works of fiction in the novel The legend,Forever,little reunion,prose anthology rumorsetc..For a long time,Eileen Chang and her works has been a hot research topic in academic circles,a description of the aristocratic family and urban men and women in Eileen Chang's novels depict,the academic community has been analyzed more mature,domestic research on image in Eileen Chang's novels but has not yet appeared,in-depth and systematic results.The full text is divided into five parts.The introduction mainly introduces the research ideas and methods,research status and review.The first chapter is the analysis of the image of the maid Eileen Chang created before 1949 in the novel,the main analysis of the firstand incense incense scraps and a small steamed sweet scented osmanthus autumn ? Tulip in the three novels the maid image,and summarizes the characteristics of this period Eileen Chang's servant image.The second chapter is the analysis of the servant image of Eileen Chang in 1949-1952 years of the novels,mainly on the Eighteen spring(half life),Taffy,two novels in image interpretation and explore the maid,Eileen Chang in the United States on the two novels the servant image self reason self-denied.The third chapter is the analysis of the image of the servant Eileen Chang in 1952 after the creation of the novel,to the stage of its representative works,Pink tears andYangko dance,Pagoda,Small reunion in the domestic image as the main object of study,analysis of the United States after shaping the characteristics and creative ideas of the servant image.The fourth chapter carries on the overall appraisal to Eileen Chang in the novel the servant image,clarify Eileen Chang's servant servant image in the positioning of China groups in the history of modern Chinese literature and its reference to the shaping of characters in novels of the underlying meaning.