The Arts And Crafts Of The Primitive Period In Tibet

The primitive period of Tibet is old,with less communication with neighboring countries and regions,and has obvious regional features.Compared with other periods in Tibet,the level of social production is low,the migration of population is slow,and the phenomenon of cultural interaction has obvious lag.This period of the emergence of the arts and crafts of Tibet is the beginning of the whole Tibetan craft art history,its development and evolution of tubo period and after today’s arts and crafts have the meaning of begin.In this paper,the state advocates the "spirit","cultural relics protection","silk road",under the influence of Tibet,in arts and crafts arts and crafts of Tibet as the starting point of the original period were studied.Guided by the marxist historical materialism under the premise of archaeology,style,history,fine arts,for reference of anthropology,aesthetics,sociology,ethnology method and theory as the thesis research methods.The second chapter of the paper,is the original period of arts and crafts of Tibet related concept and background of the discussion The discussion of the original period of arts and crafts of Tibet mainly discusses the original period of the time span of Tibet and division,the Tibetan area of the original period,as well as to the definition of arts and crafts,and emphatically discusses the original period of arts and crafts in Tibet Tibetan arts and crafts original period background,mainly is the state of original period of productive forces in Tibet and the Tibetan original period of the discussion of the natural environment.Thesis of the third chapter mainly introduces the Tibetan original period of the distribution and shape of the arts and crafts,technology and function,the classification of the experts and scholars for reference standard for Tibet of a period of primitive stone tools,pottery,bone artifacts made a classification study class and Jin Shuqi crafts.According to the original period of Tibetan culture background,political background,economic background,introduction to Tibet at that time,as far as possible,the reduction of the original period of the cultural landscape of Tibet,deduce the various arts and crafts category and the meaning of existence.In the fourth chapter of the thesis,the cultural characteristics and aesthetic style of the art and art in the original period of Tibet were analyzed and studied.According to the author of the data collected,in accordance with the different arts and crafts category,from the aspects such as modelling,color,process focuses on original period of the handicraft of the Tibetan culture features and aesthetic style.According to the aesthetic style of Tibetan original period of arts and crafts,paper besides according to historical records,and other disciplines theory knowledge,dialectical analysis was more according to have unearthed cultural relics and paintings such as data for analysis.However,for various reasons,the cultural relics of the original period in Tibet have not been fully excavated,and some excavated sites have been seriously lost.Therefore,according to the limited archaeological data,the analysis of the cultural characteristics and aesthetic style of Tibet’s original period is limited.We must recognize the Tibetan original period of the arts and crafts is a part of the Chinese nation excellent culture,advocating the "spirit" and "the protection of cultural relics" strategy,research the original period of the arts and crafts of Tibet,for Tibet to the inheritance and development of traditional arts and crafts,and the development of modern Tibetan arts and crafts industry has important theoretical and realistic significance.