The Research Of Hong Gongshou's Chinese Painting

In this paper,the analysis of the late Qing Dynasty Shanghai painter Hu Gongshou's life,making friends,painting and calligraphy learning,style characteristics,etc.Analysis of the influence of Hu Gongshou on Ren Bonian,Shanghai school masters Wu Changshuo,Xu Gu.Zhao Zhiqian.Hu Gongshou's painting and calligraphy were compared,study on the relationship between Zhao Zhiqian and Shanghai school.The collection and analysis of Hu Gongshou's apprentice and his influence on Shanghai school.The re interpretation of the status of Hu Gongshou's painting in Shanghai painting school and its significance.In this paper,the concept of "pen with ink","body potential" and "paint from nature " are used as a tool for image analysis and comparison,the paper uses the methods of literature reference,psychological analysis and sociological analysis.Several corollaries are obtained in this paper:1.Hu Gongshou successfully applied Tablet inscriptions of the Northern Dynasties to painting and postscript,the formation of the forceful style,zeitgeist;2.Hu Gongshou's creation of landscape painting,proposed“pin with ink” and "true mountain water situation” combination;3.Ren Bonian,Wu Changshuo,Xu Gu and many other Shanghai painters inherited the style of Hu Gongshou;4.1886-1858 Gongshou Hu was the leader of Shanghai School 5.Standing in the perspective of traditional culture,re interpretation of Shanghai school,with significance of reform and opening up the future cultural.This paper firstly studies of Hu Gongshou's painting as the center,points out the problem of deliberately avoiding in the study of Shanghai painting school,reveals Hu Gongshou's leadership in the early Shanghai school,reveals the inconsistency of the evolution of dynasties andstyles,points out the excessive interpretation caused by the subjectivity of style criticism;for the first time to explain concept of“body potential”,applied to the analysis of style,refers to the contemporary people's misreading of Chinese traditional painting;it is pointed out that the use of Western sketching method will lead to the disappearance of Chinese traditional painting's aura.