The Study Of Ci-poetry About Festival In Ming Dynasty

Ci-poetry about Festival in Ming Dynasty is the research object of this paper,which purpose is to tease out the basic information of then.As the same time,this article investigates the people's folk custom and literati's world of emotions,and offers a corresponding comment on the value of Ci-poetry about Festival in Ming Dynasty through the discussion about it's artistic characteristics.Except the introduction and conclusion,this research is divided into four chapters.The part of introduction introduce the writing reason and importance.It tease out the current situation of the study simply about the subject of the Festival in the current academic circles,which draw a conclusion that it should not to neglect the research of Ci-poetry about Festival in Ming Dynasty.The first chapter is an overview of Ci-poetry about Festival in Ming Dynasty.Firstly,we need to define the specific range of the study.Secondly,to be a statistic about the works and draw a comparison with Ci-poetry ablou Festival in Song Dynasty.We found that Ci-writers of festival are partial to use the long tonal patters compare with all the Ci-writers of Ming Dynasty at the basic of the statistics about the tonal patters.At the same time,several choice about the tonal patters are influenced by some predecessor easily.And we found the female Ci-poetry own their characteristic at chanting festival and choosing tonal patters though analyzing the condition of the female Ci-poetry's works.Secondly,we make a longitudinal analyze that the ci-poetry about Festival in Ming Dynasty which how did development.And we can found that the development about it experienced four stages:prosperity,decline,resurgence,glory,which have diferent features at the corresponding time.The second chapter mainly analysis the folk custom about the people in Ming Dynasty from the Ci-poetry about Festival.Although there are some differences in different Festival from different Ci-poetry about Festival,they are connected with the agricultural production and life.For example,whipping the cow in the Beginning of Spring,sacrificing in the Sheri Day and so on.Various kinds of superstition and taboo and worship establish on the lack of scientific knowledge,fear of nature and importance of life.With the development of living level in Ming Dynasty,it is very general to make banquet,gathering or go on a sightseeing tour during the festival.These phenomenon show vividly that all the people enjoy the happy atmosphere during the festival.Meanwhile,compared with the former Dynasty especially the Song Dynasty,some festival's custom in Ming Dynasty are more abundant.Take an example,the innovative way on the pray for handicraft and the like.Not only the development of custom in Ming Dynasty,but the improvement of living conditions and the demonstration of the people's better material life during Ming Dynasty.The third chapter discuss the literati's emotion world from the Ci-poetry about Festival in Ming Dynasty.The experience of festival life is so rich and colorful that anything would be touch the literati's sensitive soul,therefore,in the festival,there are not just the joy of gathering,more than the sad of living in a strange land and homesick;not noly missing friend,but the lovesickness between lovers,not merely the plaint about the rise and fall of a country,more than a perception and think about being and affairs of human life.Through the creation of Ci-poetry about Festival,literati' scomplicated inward world is shown.The forth chapter analysis the actistic characteristic of Ci-poetry about Festival in Ming Dynasty,which divided into three parts.First,the festival image full of variety.This festival image can be split into two portion which are natural image and cultural image.The natural image mostly are the image about flora and fauna or climate,such as chrysanthemum,plum rains,willow,cicada and so on,which show a bright seasonal feature.The cultural image for the most part are the items about custom,such as Tusu liquor;Amulet used by peach wood,festival Lantern,Caisheng,beautiful carriage,boat,Xiaogu,Moom cake and so on,which could show the characteristic in folklore.We will analyze their features in different festival by taking examples with image about rain and liquor.And we can come to a conclusion about image's effection in various festival.The natural image represented by the image about rain often paly a part in strengthening atmosphere and serving image,while the cultural image represented by the image about liquor play a role in expressing Ci-writer's feelings.Then,the actuality.It embodied in the history about festival custom and urban appearance,and rehistorical events memory,which have a role in keeping history by writing Ci-poetry.Some writer also record trivial matters and personal comment on someone else's life story in Ci-poetry.Their are enhance the Ci-poetry about festival's actuality.Futhermore,the title and preface,annotation and the peculiar form of uni-topic Ci-poetry are the supplement for actuality in form.Last,the lyricism.Although,part of the Ci-poetry about Festival in Ming Dynasty exist a feature which is show a plain language and straight meaning also exist in Ci-portry during Ming Dynasty about others theme,there are many works euphemistic express the Ci-writer' semotions and show the peculiarity that Ci could describe the affection and own the undermeaning and temperate euphemism by various lyric technique such as showing emotions by scenery,using literary quotation or Bixing,Jituo.