Subjective Or Objective: The Internal And External Causes Of The Shift Of The Focus Of Zhu Guangqian’s Aesthetic Thought

Zhu Guangqian is one of the most important aestheticians in the 20 th century in China.His aesthetic thought plays a very important role in the development,evolution and important witness of the development of modern Chinese aesthetics.The research and discussion around Zhu Guangqian’s aesthetic thought almost ran through the course of modern development of Chinese aesthetics in the second half of the 20 th century.In the 1950 s,it even became the starting point and focus of the complicated theoretical disputes of aesthetics."Aesthetic Great discussion" as a divide,Zhu Guangqian’s aesthetic thought has undergone a remarkable change from that mentioned before the theory.The transformation of center of gravity,an important event with distinct historical imprint,attempts to explore the mechanism of shifting the center of gravity of Zhu Guangqian’s aesthetic thought from the perspective of internal theory and exogenous social and political history.This paper is divided into three chapters:The first chapter focuses on the transformation of Zhu Guangqian’s aesthetic theory.The author did not divide Zhu Guangqian’s aesthetic theory into the former and the latter.But based on his aesthetic theory,it is divided into Chinese and Western models based on psychological aesthetics and aesthetic theories based on Marxist aesthetics.This is also the place where Zhu Guangqian’s aesthetic theory is rich.He’s not chasing a theory alone.It’s about reinventing useful ideas.At the same time,it is commendable that after Zhu Guang’s potential initial exposure to the aesthetics of Markism,enriching the connotation of his theory.Continue to enrich one’s own theory with new theories.The second chapter focuses on the analysis of the external reasons for the transformation of Zhu Guangqian’s aesthetic theory from psychological aesthetics to Marxist aesthetics.As a result of the founding of New China,so,the psychological aesthetics he previously agreed to was abandoned in New China.In the Union of Soviet Socialist Republics’ s aesthetics influence,Marxist aesthetics is the main theory in the Marxist aesthetic academia.In the circumstance,"Aesthetic Great discussion" promotes him to introspect his theory and shift to Marxist aesthetics.This event has multiple exogenous social and political matters.This influenced his careful use of Marxist aesthetics to discuss his point of view.In the third chapter,on the basis of the second chapter,we analyze the internal reasons for Zhu Guangqian’s theoretical transformation.In fact,for Zhu Guangqian,his active participation in the "Great Aesthetics discussion" has an objective aspect.But the deeper principle is that his academic spirit,China and West culture is influencing him.Although Zhu Guangqian transformate his aesthetics thought,he stick academic still his standard.To the Zhu Guangqian’s generation,devote development the Chinese academic,found the China academic system is the internal matter to discuss the academic.