Study On The Ugly Phenomenon Of Chinese In Ancient Chinese Painting

In the history of the development of human painting,the United States has been advocating the pursuit of artists diligently,with the history of human civilization process,the concept of beauty has also been constantly overthrown and redefined.Jameson,ugly,evil is the core value of the view of the history of human civilization.But with the deepening development of art especially,in the field of painting,painting themes and forms continue to expand at the same time,the human to pursue beauty seems to have gradually entered a new stage,the United States began to be re defined,the ugly will no longer be absolutely denied.The boundaries between beauty and ugliness becomes gradually blurred.This paper through the phenomenon of the Chinese ancient painting history,through the modern perspective,using the time axis joint research,combined with the development history of painting and at the time of the social economy and culture,tendency and characteristic analysis of thought reflects the ugliness of the ancient painting in China.And combined with China ancient Chinese traditional philosophy,the impact of regime change and the development of productive forces,showing a more three-dimensional development of the phenomenon of Chinese ancient painting.And through the analysis of the specific characteristics of works and characters,reveal the individuals and groups,panoramic painting thought and the history of the history of the ugly,ugly thoughts for China analysis promote the development of ancient Chinese painting The role of contemporary painting.The aesthetic thought in ancient Chinese with western trend of comparative study,and the times of Chinese certainly spontaneous painting development,and reveals the difficulties and challenges of contemporary painting Chinese faces.