The Time Changes In "middle Oil Painting" Art Of Development And Prospect

" The oil phenomenon" is in my practice experience to a painting phenomenon. This paperwill" Guanzhong painting phenomenon" as this thesis puts forward two reasons: one is inGuanzhong of Shaanxi has its unique historical and geographical features, such features toattract a large number of painters to the attention and performance; two is located inGuanzhong area of Xi’an Academy of Fine Arts frequently by its geographical features,made many has a unique style of the painter. From painting perspective, Guanzhong areahistory in subject for painting provided vast space of creation; from geographical featureaspect, including northern Shaanxi Guanzhong region expanse of Guanzhong Plain andgully and Rolling Loess Plateau of Northern Shaanxi and the painters in the vision providesunlimited reverie and skills performance unique feeling.On the idea of painting, performance of Guanzhong painting although nothing like" Sichuanoil painting" form" painting", also unlike Xinjiang, Tibet and other ethnic minorities in oilpainting, with a strong exotic atmosphere and painting. But the traditional Chinese paintinghistory and the rise of the "Chang’an school" but for" Guanzhong painting" performance haslaid a solid foundation and the traditional painting of the performance of the theme of space.It is the historical heritage and unique humanities and the natural landscape to attract a largenumber of artists here to create a new, unique style of the works.This paper from the geographical characteristics of Guanzhong area feeling, landforms,climate characteristics, the Guanzhong region is different from the other regions afterthousands of years of long-standing reality illustrated. From the humanities characteristicsdescribed in Guanzhong area, thousands of years of cultural heritage of many dynasties ofcapital to the Guanzhong area how to bring the humanities characteristics. This paper firstlyanalyzes the Guanzhong as the theme of performance artist, because they" to the traditionalwatch" lead out and modern" be misfits" and on the immediate style persistent on the causesand the outside relative isolation. The phenomenon has its advantages side, at the same timeand create and times development lags behind relatively negative results.Secondly, the author from macroscopical angle analysis." The painting" in the nationalpainting status by highlighting the features and status. On this problem from four aspects:the first part of the first in the history of the development of oil painting as a briefdescription, times cited at the time of the great painters and their achievements. Early" Guanzhong painting" in how the political and historical conditions to create what kind ofgood works, their philosophy of art and of their design brief analysis. Present a componentof the" region" painters and their works as well as the philosophy of art and creativecharacteristics. With their existing level of contemporary outstanding" Guanzhong oilpainter" for" the painting" enhance the strength of the contribution made by the positiveevaluation. And is now in the youth" Guanzhong painting" to" the painter painting" bring afresh breath and blood. The second part, from three angles:1on historical themes;2localcustoms and practices;3natural landscape (landscape). The older generation of painters paymore attention to major themes of the show, which mainly analyzes Cai Liang ’s greathistorical theme creation; at the same time also has to the local customs and practices for theperformance artist, typical of artists such as Mr. Zhou; landscape painter Chen North Sirexplores the natural landscape of the performance, in the theme, photography, color, styleetc. achievements. Later painters on this basis were constantly enrich and develop. In third,and the region of the "Chang’an school" in the relationship between the comparativeanalysis, interpretation of Chang’an school development and expansion of the cause, as wellas" the painting" under its influence and to explore the road of. With the influential "Sichuan style" of painting, Xinjiang, Tibet and other places" minority paintings" madecontrast, elaboration of their different nature as well as in the development of other twokinds of painting, painting idea and painting form.On the grasp. The fourth part elaborated the contemporary context" the painting" in thesense of form and painting language.Finally, in Guanzhong area oil market are analyzed. Elaborated " market" of painting artdevelopment importance, Chang’an school ’s success is a bit is that he made a good marketpositioning, and" Guanzhong area oil market" does not seem to attach importance to thisconstruction, this paper analyzes a lot of" the painting" potential, and then lists manyinternational do more mature" Festival". Use of these arts festival instance analysis and theGuanzhong area current situation made contrast, find out many of the same factors anddifferent points, and analyze the Guanzhong area oil painting art to development, to seizethe current special economic and political situation, arouse" Guanzhong oil painter.""’aggressive and creative. Development of a virtuous circle of the art market, popular in thecommunity of oil paintings, in order to liven" Guanzhong area oil market" in order to findout the road of development.