Study On The Evolution Of Wang Meng's Xinjiang Writing

Wang Meng's "writing in Xinjiang" mainly refers to the creation of various genres and literatures that Wang Meng has carried out in Xinjiang since the end of 1963 and until the new century.As a contemporary literary world's leading literature everyone,Wang Meng's life is quite productive,still pen to stop.Throughout the creation of Wang Meng's life,it is not difficult to find "Xinjiang" is one of the important themes and materials of Wang Meng's creation.From the end of 1963 to now,Wang Meng to Xinjiang as the object of the various genre literature creation,accumulated about more than forty articles(ministry),one hundred and fifty million words,so far in Wang Meng creation share And his "less common" and "youth"experience par with an important theme and theme.Wang Meng's "Xinjiang Writing"not only includes the prestigious "variegated","in Ili" series of novels,but also has been ignored by the researchers,published in 1963-1965 several reports of literature and the old Poetry,but also created in 1974-1978,but until 2013 was really published "side of the landscape".These works constitute the whole process of Wang Meng's "writing from Xinjiang" from development to development,which reflects the whole process of Wang Meng's writing in the writing of Xinjiang,the theme expression,the language style and so on,and also casts Wang Meng at different times for different Xinjiang The creation of gestures.The end of 1963-1965 is the early stage of Wang Meng's "Xinjiang Writing".Wang Meng in this period is the "outsiders" vision to imagine Xinjiang.Wang Meng,who first arrived,lacked an in-depth experience of Xinjiang's life,so his image of Xinjiang was a "national symbol" and collective imagination that had long been constructed and fixed in cultural propaganda.Wang Meng creation of this period is divided into published works and private creation of two parts.From the published works,because of the political environment,Wang Meng on Xinjiang things,people view,are to show the advanced nature of politics and ethical purity as the fundamental starting point,which appears blunt and false.And Wang Meng's private creation,the twists and turns to reflect the Wang Meng as inflow of the "edge of people"sometimes sentimental fate ups and downs,sometimes complacent life in the complex inner world.1974-June 1979 is the middle stage of Wang Meng's "Xinjiang writing".Owing to Seven years of Yili rural life experience,Wang Meng got rid of his early simple Xinjiang scenery description which filled with exotic imagination and began to show his real life in the countryside.On the other hand,under the rule of political ideology,Wang Meng portrayed Xinjiang as an ideal society,its environmental description,characters all have the tendency of graphic politics,beautification and obscuring reality.In this period of "Xinjiang writing",the fresh life experience and political ideas produced narrative contradictions.As to this,Wang Meng's approach was complex and tangled.The later stage of Wang Meng's "Xinjiang writing" was from 1979.Wang Meng,who returned to the literary world,wrote Xinjiang in a grateful manner.Wang Meng regarded his Xinjiang's suffering experience as a valuable exercise.In this period,his most representative work was the novel In Yili.However,a lot of characters and story scenes in this novel were not Wang Meng's first creation when he came back,but from his previous creation of the novel the scenery there.For the same material blueprint,the novel In Yili often portrayed different storylines and characters with the scenery there in ideology and emotional color,which actually deconstructed the political discourse in the novel the scenery there.At the same time,Wang Meng constructed a poetic society away from the political atmosphere,which was Wang Meng's spiritual home.