With the widespread spread of Chinese traditional culture in the world and the continuous improvement of national influence,Chinese traditional culture has received more and more attention.The development of modern science and technology,reducing the production costs of documentary images,which emerged a large number of human documentary works.After more than ten years of exploration,abandoning the traditional model of the grand narrative framework,the current human documentary images back to nature,applying individual perspective to start narrative,permeating with a strong atmosphere of life,making the protagonist in record back to the ordinary people under the background of the times,moving audiences through the vivid and modest lens,truly reflecting the humanities works that appeal to all,so that make the work into the hearts of ordinary viewers.Therefore,it has practical significance in transformation of humanistic documentary image.This article is not only the academic discussion from the perspective of technical aesthetics on the humanities documentary image,but also the reflection summary based on the production process of personal graduation work.The author uses the methods of literature analysis,summarize experience,case study and so on,through the interpretation of the graduation work of “go for the times”,analyzes the humanistic documentary image under the view of technical aesthetics from the three dimensions of meaning,paradigm and construction.First of all,combined with the “the double missions” of humanities documentary image,it sums up the methods that highlight local characteristics of humanities documentary;Secondly,from the two aspects of technology and art,the author summarizes the mode of presentation of traditional culture aesthetics in the context of new media.Finally,combining with the practical experience during creation of graduation works,it discusses the creative ways of the enhancement of humanistic documentary image aesthetic experiences. |