Study Of Mayifu Calligraphy Style

Ma focuses on the literature to have done,with the title of "master of Chinese culture".Was erudite and informed,his studies,he works in the flourishing of the bookish,he was the natural language of the rich literature self-restraint.His conduct noble and pure,not fame fortune,not for undeserved reputation,natural far left,he his JianYuan calligraphy style,which is the external performance his ego mind.This article attempts from four aspects to study his book wind.First of all,to his era background,and his words external work to comb the impact of his calligraphy.After the qing dynasty,the republic of China,three of the People's Republic of China period,youth living in the late qing dynasty,because of the need of the imperial examinations and daily writing,learning running-penmanship melts former people,b,a certain foundation of regular script.After entering the republic of China,the republic of China in the gallery there are two kinds of situation,the early stage of the calligrapher is given priority to with worship tablet,we compete to determining the stone inscription,appeared as the malpractice of blindly statue of stone,some conscious shoka began to fell the fusion.With frequent exchanges with the outside world of education,calligraphy,calligraphy exhibition,of society of the republic of China,calligraphy started towards the society,calligraphy concept has been more widely spread.Ma focuses both under the influence of traditional education,and study in the west,rich knowledge,accomplishment,and gallery fell in harmony learning concept for ma focuses on the every book fell compatibility of calligraphy roads the seeds.Origin,secondly,in his book learning and fetal rate,chu,to lay a solid basis of regular script,determining the medium-term widely,the path of fell unite,late feedback clock,the king,return to learn calligraphy practice process is analyzed,for his book carding the formation and development of the wind.By analyzing the specific analysis of his works,he composed a pen,established the nexus of contracts,shu lang's composition,and carries a detached artistically,to focus on his his JianYuan style of calligraphy.The formation of his calligraphy style is closely connected with his book learning concept,discussed in the third part,based on his analysis about calligraphy inscription,sayings,to study his proposed try "benevolence","to the music book yu","phase and" Confucianism,Buddhism and Taoism,"compensated into the ancient,qiao nearly common" book learning concept.Fourth,through the analysis of the book of his fell of blending learning path,as well as the external work,to think about how do we practice and creation of calligraphy.