The Study On The Scene Image Of Pang Maokun's Oil Painting

Since 90 s,with the development of reform and opening up and market economy,the economy and culture of contemporary C hina have been greatly developed.The progress of science and technology,the transformation of society and the influx of Western cultural thoughts have changed people's thinking mode.After the "enlightenment 85 trendy art" after the change of artistic creation concept,many contemporary painters began to move away from the "grand narrative",will focus on the reality of society,artists began to intervene in the contemporary society by their artistic thinking.The "political pop" and "C ynical Realism","young generation" as the representative of the painting trends emerge in an endless stream.In different styles of contemporary art "attack",the traditional classical realistic oil painting is still at the edge of the state to a certain extent,how to realize the modern transformation of classical realistic oil painting has become an unavoidable problem for many artists.As a special case,Pang Maokun's oil painting in recent years provides a useful reference for this problem.As one of the representative figures of contemporary realistic oil painting,Pang Maokun's works have a more important influence in the whole country.From the middle school affiliated to Sichuan Academy of fine arts graduate,ten years of systematic training of Pang Maokun created the solid realistic art.Whether it is the early local painting,or in 90 s with the urban women,family and friends as the theme of the creation,exquisite classical techniques and aesthetic ideals of quiet and quiet has been the greatest feature of its creation.However,Pang Maokun is not satisfied with the stick to the existing mode of creation,but in the development and change of the times,constantly explore the classical painting language in the expression way of contemporary,in recent years,such as "encounter","Jinghuayuan" creation marks the great change in Pang Maokun's painting style.In addition to the continuation of the classical painting language at the same time into a more diverse artistic realization.Misappropriation,surreal juxtaposition,these had never employed by the language began to appear in large numbers,and achieved good result.An important feature of contemporary art is the emphasis of the art of living in art,not only on the form of language within the "game",and should be based on the reality of cultural background,to participate in the society,and to the art of thinking.At this point,Pang Maokun achieved a good balance,while maintaining their mature painting language without losing the social thinking.This paper is based on Pang Maokun's "Settings" in the image,from the point of view of the picture structure,technique of expression,tries to reveal the hidden in the metaphor and ideas behind the image of the artist,to explore the significance of Pang Maokun's oil painting "Scene" image of contemporary realistic painting of the China.This paper is divided into three chapters: the first chapter is the analysis of Pang Maokun's painting language background,mainly from several a spects of 85 art movement,consumption and image culture,modern and postmodern schema with the concept of the image interpretation,the image of Pang Maokun's early works in painting.The second chapter is the specific interpretation of Pang Maokun's painting "Scene" image,"theatre","mirror" and "travel concept" three series as the focus,this concept of metaphor and the concrete application of embezzlement,collage,surrealism and other methods in Pang Maokun's painting and picture behind.The third chapter is the inspiration of Pang Maokun's painting to contemporary oil painting.