Analysis Of The Guzheng Concerto "Ling'an" The Grudge

"Zheng" is a long history of musical instruments, formerly known as "Zheng", from the Qin Dynasty, and also the name qinzheng". In the Tang Dynasty, the first prosperity, since the founding of the rapid development. Guzheng art as an important part of China's classical music art, not only elegant gentle and beautiful timbre; also has the national characteristics of China's transfer situation and the function of national music culture. "Ling'an Yihen" this song is about the great national hero Yue Fei in the Southern Song Dynasty to resolve and baoguowumen helpless. The music master of the family miss, to love people and love, the fate of life on the treacherous sigh, hatred, lofty mood all thoughts and to embody the masters of indomitable spirit of heroism. Therefore, in playing the song how to fully display the music delicate and complex emotions is a crucial part of. In the zheng music playing, the use of the techniques is one of the important parts, good use of no shaking fingers would not have the perfect interpretation of Zheng music. You need to learn in practice in the process of Zheng music master shake refers to the use of skills, study its concrete application in different works, in order to achieve the best expression of the works. In this paper, Lin Jiliang works "too far" in Ling'an as an example, through the work of learning and research, further understanding of the creation of material selection, performance technique innovation and grasp the style of music. On the rational analysis of work difficult playing skills more, including double shake, fast to order, the left hand walk fast, tremolo, left hand shaking fingers playing skills etc.. The author hopes that through the analysis of causes of high difficulty of playing skills of these innovative Zheng learners to provide certain theoretical support in the performance, in order to better grasp the new playing techniques and the rational use of music to.