Research On From The Soviet Area To Yan'an: Li Bo Zhao With Dramatic Development In Base Area

As an important link in the history of Chinese modern drama,the drama of the Base Area is a dramatic phenomenon that can not be ignored in the Chinese drama history,and the development of drama movement in Base Area cannot be carried out without the leadership and promotion of artists.Li Bo Zhao,as one of the leaders and organizers of Chinese revolutionary literary career,and whose drama practice course are closely related with the drama development,making her drama creation and stage performance the starting point for us to look through the historical characteristics and practice mode of the drama in Base Area.This article is divided into five parts,In the introduction part,the origin of the topic,the value and significance of the research work are introduced,and the research status are summarized.In the first chapter,the process of the role construction of Li Bo Zhao from the intellectual elite to the professional revolutionist has been discussed,and explained how her dramatic concept generated with the change of her identity.In the second chapter,the process of how Li Bo Zhao started with learning from the Soviet literary form to using folk cultural resources for her drama composition and stage performance in the Soviet Area have been presented,and different types of Li Bo Zhao's dramatic works,have been selected to analyze about how her drama style shifted from the “international style” to the "local wind style".The third chapter is the practical exploration of the nationalization of drama in Yan'an.Under the dual stipulations of the discourse of national state and the discourse of Party spirit,the drama composition form of Li Bo Zhao started to transform into "nationalization" and "Sinicization".In the context of the history of the new democratic revolution,Li Bo Zhao began to integrate the traditional culture elements like nationalization and folk culture into the drama creation consciously,and created a new kind of national drama form on the basis of folk literature resources.In the conclusion part,the practical value and historical limitations of Li Bo Zhao's drama works have been discussed,and from the practice of drama creation of whom a probable conclusion of the historical value and limitation of the revolutionary drama have been obtained.