A Study On The Country Novels Of "70 Post" Writers

In the history of Chinese literature in the 20 th century,the rural narrative of literature is undoubtedly one of the most accomplished subjects in the mainstream literature of China.But from the social transformation and cultural context changes,there is no immutable rural literature,but in different periods have different narrative paradigm and cultural connotations.Since entering the new era,the “70 after” as the main body of the new generation of writers also entered into the writing of the village.Compared with the previous generations of writers,“70 after” writers to the city and self-life for the creative background,the description of rural life was significantly reduced,although the number of rural fiction creation,but also showing a unique personality,they are delicate Strokes and emotional experience,reminiscent of the past and return to the basis of observation,recorded the current real rural ecology.It includes both the narrative horizons,narrative methods and narrative attitudes of the contemporary writers with the characteristics of the times,including their independent thinking patterns and value identities,and twists and turns that imply the influence of their living and spiritual worlds on them.Whether it is the creation itself,or from the history of the development of rural novels,their meaning can not be ignored.From the perspective of the writer’s subjective position,aesthetic perspective and narrative strategy,this paper examines the rural novels of the "70" writers,and presents three narrative features: The first is to Lu Min,Emma as the representative of the rural daily life of the state to re-write,to describe the aesthetic attitude of rural ethics,in the warm poetic expression of the rural world of praise,Acura pure human nature,passing the desolate background,Trying to awaken the sleeping countryside with a pastoral pasture,creating a poetic village and spiritual utopia;The second is based on Wei Wei,Xu Zechen as the representative of the wandering in the city and the countryside has always been home to the home of hopelessly,not only go back home can not go out of a foreign land,in the roots of the village and the edge of the city continue to struggle wandering,And then expressed in the village into the city as a result of this change in the embarrassment and anxiety;The third is written by Liu Yudong,Ye Wei and Li Junhu in the villages that have experienced the gradual evolution of the commercial tide,exposing the rural ethical conflict after the transformation,and then criticizing the present village by the nostalgia of the past countryside.These three creative lines,the integration of the writers of their own growth experience and thinking clues,from purely writing simple ancient village life,to go back and can not get out of the real dilemma,and then to the background of the hometown of the increasingly aphasia,show Not only“70 after”the writer’s rural narrative paradigm,it is mixed with the gap,unfamiliar and helpless dying and rural dying,hometown fall,the soul nowhere to place the War of the times.