Investigation On Dramaturgy Method And Aesthetic Mechanism Of Mou Sen’s Experimental Theater Of 1990s

In this paper,Mou Sen directed the experimental theater art of the 1990 s as the main research subject,and digging into the historical context,horizontal simultaneous creation for comparative analysis,constituted of three chapters: history and the live,confront with production mechanism,And the aesthetic mechanism.The first chapter of the paper will make a link between the history and the theater live,first of all from the historical context of Western and Chinese,Western avant-garde drama movement and Chinese little theater movement in 1980s-1990 s,introduced the important director and works,combined with avant-garde art theory to analyze its characteristics,then introduced the study,creation,living situation of Mou Sen in the 1980 s.Based on the consideration the disadvantaged conditions of few professional study of Mou Sen and the theater videos not accessible for the public,the fourth section of the first chapter is composed of detailed text of live situation with historical analysis,attempted to represent and restate the works of Mou Sen in the 1990 s.In the second chapter,the author analyzes the production mechanism of Mou Sen Experimental Theater,including analysis of the capital,the venue,the theater power and the creative subject.Including the confrontation and ambiguity with the institution,re-distribution of theater power,personal narrative confronts institution narrative,Mou Sen’s experiment is the empowerment for the creation subjects and the performance presented a characteristics of oral narrative media and extended to the people theater comparative analysis.In the third chapter,the author analyzes the aesthetic mechanism behind Mou Sen’s theater.The first section combines the theoretical analysis and the practice of Mou,Mou’s exploration for unity of physical and mental.Then,refute the "digestion narrative" comments on Mou,on the basis of theoretical analysis,argue the body as the subject and the possibility of narrative significance,and body manifestation as a trend.The second part analyzes the dramaturgy method of improvisation and collage in Mou Sen’s experiments.By introducing the aesthetic of performing art and contemporary art,and with philosophical analysis,attempted to define the aesthetic characteristics of Mou’s theater.