Li Tingsong And To-hai Liou Played The Overlord Unloaded A Comparative Analysis

Wu Qu "disarmouring" expressive tone charm,will have the inherent tension caused by the strength and colorful playing skills to play the most incisive.Different versions of performance spectra have different playing styles,Shanghai sent Li Tingsong to play vividly depicted smoke spread spectrum battlefield scenes with Xiang Yu king of the spirit;through Liu Dehai’s adaptation of the play is the reform and innovation of the spectrum,as well as Shanghai high school and true to life to describe the momentum,this generation of outstanding figures the delicate feelings of sadness.This paper attempts to analyze this theory of comprehensive music works,analysis and research by comparison with Li Tingsong performing "disarmouring",dig out the modern Pipa composer’s creative style and performance characteristics,and on the basis of the cultural interpretation of the new "disarmouring",in order to fully appreciate the works the hidden profound cultural connotation and artistic value,and get inspiration.This paper first reviews the development history of the traditional Wu Qu,and the "disarmouring" of the story and music spread are introduced,and then analyzes the "disarmouring" modern art genre and the transmission spectrum of the main.Then the author,Li Tingsong plays the spectrum of Wang School and Liu Dehai played the new version of the spectrum from two aspects of structure and techniques are compared and analyzed.And analyzes the aesthetic features of "disarmouring" the heroic and tragic,finally the development status of the traditional Pipa repertoire and future creation and development are forecasted.