Restricteid Views On The Modernity Fragment Of Images

Fragmentation is one of the typical features of the current image and related works of art.This paper discusses the embodiment of modernity abstract concept is not the abstract concept that widely contains everything in system,but mainly from the mystery of modernity fragments cut to Simmel's ‘Philosophy of Money' in the‘realistic contingency fragments',Krakauer's narration ‘the surface appearances of no great importance',and Walter Benjamin's modern thought and method etc.With fine modern traces of projection in the everyday world level,these fragments modernity theory is extended to the field of artistic creation,but also in the aesthetic significance of image creation practice of the artists with corresponding consciously or unconsciously revealed.This article goes through the Western perspective,for example,around the artist Michelangelo's picture in picture of ‘Genesis' in modern anatomy passwords,Eliasson's Suzhou garden image,the Holland artist's ‘man eating monster',Hiroshi Sugimoto's installation,Jia Aili's ‘The Wastelands',Yang Fudong's‘Accidental Inspiration' and Liu Xiaodong's real-time streaming video installation of‘Weight of insomnia' to explore the weight image fragmentation concept of modern expression in art in the field of various forms and thinking,and pursue the integrity and overall experience.At the same time thinking about the joy and anxiety behind these images with new possibilities in the immediate environment of China.