On The Emotion In Vocal Music Performance

The majority of human logical structure is linear,most of us are limited by our own knowledge and subjective feelings when we think or consider about some questions,it is a kind of typical “cause and effects” modes,however,the results incurred from that way may not be very complete and accurate.This phenomenon is particularly appeared in the field of vocal music works.Generally,we process a vocal music work is combined the subjective feelings and personal understandings,the musical players are more care about that whether they made the high-quality musical outputs and the abundant emotions outputs or not,then regard this as a important musical art standard condition.The synesthesia correspondence relationship principle had been found and studied,it is not only support the musical art technique and the related teaching way,but also abound the the musical art performance.In “up to down” theory system,a lot of musical masters creates their own explanations and methods to prove and improve the musical art performance effects,by the way,their unique thinking about the synesthesia correspondence relationship theory are very brilliant and impressive,compare with that,they rarely argue it from the musical players' perspective,thus it still confused the most of students.Objectively,this dissertation will try to analyze and investigate the emotion conversion?emotion experience and emotion expression base on the original musical research source,and put the study direction into the perspective of music players.In order to build a better discussion,the part of metropolitan opera Donizetti's “Don Pasquale” will be given as the research example at the last.Through the study of fundamental music properties,the further musical theory guess will be produced as well.