| Piano,as a Western musical instrument,combined with the folk music of ethnic minorities in China,reflects the inclusiveness and diversity of Chinese ethnic minority music.Since 1960,there is a lot of composers of folk music into piano works of Zhuang nationality in Guangxi in the creation,and produced the Zhuang nationality suite,the song of Dianhe and the third sister Liu Fantasia on a theme of popular piano works.By collecting and gathering based on Guangxi Zhuang folk music piano works and relevant literature in the course,I found these works well to show the Western piano composition technology integration with the folk songs of the Zhuang nationality in Guangxi and formed a mutual support status.Therefore,as a member of the Zhuang ethnic group as a member of the author,in carrying forward the nation’s musical culture at the same time,want to play and as a starting point for teaching according to the piano works of Zhuang nationality in Guangxi folk musical adaptation of a more in-depth study.According to the piano works of Zhuang nationality in Guangxi folk musical adapted from the research,how to better playing and teaching according to the piano works of Zhuang nationality in Guangxi folk musical adaptation is this article’s meaning and purpose.Adapted from a folk song of Zhuang nationality in Guangxi and research works of Chinese piano works performance and teaching for understanding piano works adapted from a folk song of Zhuang nationality in Guangxi also has great practical value.While enhancing the people’s deep knowledge of the musical styles and works of Zhuang nationality in Guangxi,but also according to other ethnic minority music adapted from the piano works of playing and teaching of the author to provide a contrast to the material.China is a multi-ethnic country with 56 ethnic music of different cultures,how to achieve China localization of piano,is the target of several generations of composers to work together.Folk songs of the Zhuang nationality in Guangxi as a model of ethnic folk songs and folk song style and features into the piano works of creation is an important way to realize the localization of Chinese piano.Based on the above background,through the creation of adapted from folk songs of the Zhuang nationality in Guangxi’s piano works performance and teaching research,analyze the application of folk music in the piano works of Zhuang nationality in Guangxi and reflected,for other composers to provide an example of ethnic music and piano music,promoted the application of music in the piano works of other minorities,showed Chinese minority music inclusive.Also provide the player with a certain amount of playing and teaching resources.This development not only music and heritage of the Zhuang nationality in Guangxi folk song,also to some extent to promote solidarity among minorities,have some research value.Based on the based on the Zhuang nationality in Guangxi folk musical elements of piano works of performance and teaching under the title,as folk music adaptation of the piano works of Zhuang nationality in Guangxi antibody and its classification as a starting point,in-depth studies of both playing and teaching of its contents,and make plaers better playing and teaching the essence of music.The thesis consists of three chapters:Chapter one: introduction of Zhuang nationality in Guangxi and the music of Zhuang nationality in Guangxi,including mood,melody and rhythm.Chapter two:according to the piano works of Zhuang nationality in Guangxi folk musical adapted from the classification and analysisChapter three I: core sections of this paper,is the analysis is based on the works of Zhuang nationality in Guangxi folk musical adapted from the piano playing and teaching,through the use of rhythm,method of key-touch and pedal three points for analysis. |
